Of proportion in Staff. 54
Of proportion in Measure. 55
How many sortes of measures we use in our vulgar. 58
Of the distinctions of mans voice and pauses allowed to our speech, & of the first pause called Ceszure. 61
Of proportion in concord called Rime. 63
Of accent, stirre and time, evidently perceyued in the distinction
of mans voice, and in that which maketh the flowing of a Meetre. 64
Of your Cadences in which the meeter is made Symphonicall, &
when they be most sweet and solemne. 65
How the good maker will not wrench his word to helpe his rime,
either by falsifying his accent or his Ortographie. 67
Of concord in long and short measures, & by neare or farre
distances, and which of them is most commendable. 68
Of proportion by situation. 69