It must not be supposed, however, that the rectangle was always exact. Sometimes its outline was broken by angular projections and indentations, as in the plan [PLATE XLII., Fig. 21.] where the shaded parts represent actual discoveries. Sometimes it grew to be irregular, by the addition of fresh portions, as new kings arose who determined on fresh erections. This is the ease at Nimrud, where the platform broadens towards its lower or southern end, and still more at Koyunjik and Nebbi Yunus, where the rectangular idea has been so overlaid as to have almost wholly disappeared. Palaces were commonly placed near one edge of the mound—more especially near the river edge probably for the better enjoyment of the prospect, and of the cool air over the water.

The palace itself was composed of three main elements, courts, grand halls, and small private apartments. A palace has usually from two to four courts, which are either square or oblong, and vary in size according to the general scale of the building. In the north-west palace at Nimrud, the most ancient of the edifices yet explored, one court only has been found, the dimensions of which are 120 feet by 90. At Khorsabad, the palace of Sargon has four courts. [PLATE XLII., Fig. 2.] Three of them are nearly square, the largest of these measuring 180 feet each Way, and the smallest about 120 feet; the fourth is oblong, and must have been at least 250 feet long and 150 feet wide. The palace of Sennacherib at Koyunjik, a much larger edifice than the palace of Sargon, has also three courts, which are respectively 93 feet by 84, 124 feet by 90, and 154 feet by 125. Esarhaddon’s palace at Nimrud has a court 220 feet long and 100 wide. These courts were all paved either with baked bricks of large size, or with stone slabs, which were frequently patterned. Sometimes the courts were surrounded with buildings; sometimes they abutted upon the edge of the platform: in this latter case they were protected by a stone parapet, which (at least in places) was six feet high.

The grand halls of the Assyrian palaces constitute their most remarkable feature. Each palace has commonly several. They are apartments narrow for their length, measuring from three to five times their own width, and thus having always somewhat the appearance of galleries. The scale upon which they are built is, commonly, magnificent. In the palace of Asshur-izir-pal at Nimrud, the earliest of the discovered edifices, the great hall was 160 feet long by nearly 40 broad. In Sargon’s palace at Khorsabad the size of no single room was so great; but the number of halls was remarkable, there being no fewer than five of nearly equal dimensions. The largest was 116 feet long, and 33 wide; the smallest 87 feet long, and 25 wide. The palace of Sennacherib at Koyuhjik contained the most spacious apartment yet exhumed. It was immediately inside the great portal, and extended in length 180 feet, with a uniform width of forty feet. In one instance only, so far as appears, was an attempt made to exceed this width. In the palace of Esarhaddon, the son of Sennacherib, a hall was designed intended to surpass all former ones. [PLATE XLIII., Fig. 2.] Its length was to be 165 feet, and its width 62; consequently it would have been nearly one-third larger than the great hall of Sennacherib, its area exceeding 10,000 square feet. But the builder who had designed this grand structure appears to have been unable to overcome the difficulty of carrying a roof over so vast an expanse. He was therefore obliged to divide his hall by a wall down the middle; which, though he broke it in an unusual way into portions, and kept it at some distance from both ends of the apartment, still had the actual effect of subdividing his grand room into four apartments of only moderate size. The halls were paved with sun-burnt brick. They were ornamented throughout by the elaborate sculptures, now so familiar to us, carried generally in a single, but sometimes in a double line, round the four walls of the apartment. The sculptured slabs rested on the ground, and clothed the walls to the height of 10 or 12 feet. Above, for a space which we cannot positively fix, but which was certainly not less than four or five feet, the crude brick wall was continued, faced here with burnt brick enamelled on the side towards the apartment, pleasingly and sometimes even brilliantly colored. 10 The whole height of the walls was probably from 15 to 20 feet.

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By the side of the halls, or at their ends, and opening into them, or sometimes collected together into groups, with no hall near, are the smaller chambers of which mention has been already made. These chambers are in every case rectangular: in their proportions they vary from squares to narrow oblongs. 90 feet by 17, 85 by 16, 80 by 15, and the like. When they are square, the side is never more than about 25 feet. They are often as richly decorated as the halls, but sometimes are merely faced with plain slabs or plastered; while occasionally they have no facing at all, but exhibit throughout the crude brick. This, however, is unusual.

The number of chambers in a palace is very large. In Sennacherib’s palace at Koyunjik, where great part of the building remains still unexplored, the excavated chambers amount to sixty-eight—all, be it remembered, upon the ground floor. The space covered by them and by their walls exceeds 40,000 square yards. As Mr. Fergusson observes, “the imperial palace of Sennacherib is, of all the buildings of antiquity, surpassed in magnitude only by the great palace-temple of Karnak; and when we consider the vastness of the mound on which it was raised, and the richness of the ornaments with which it was adorned, it is by no means clear that it was not as great, or at least as expensive, a work as the great palace-temple at Thebes.” Elsewhere the excavated apartments are less numerous; but in no case is it probable that a palace contained on its ground floor fewer than forty or fifty chambers.

The most striking peculiarity which the ground-plans of the palaces disclose is the uniform adoption throughout of straight and parallel lines. No plan exhibits a curve of any kind, or any angle but a right angle. Courts, chambers, and halls are, in most cases, exact rectangles; and even where any variety occurs, it is only by the introduction of squared recesses or projections, which are moreover shallow and infrequent. When a palace has its own special platform, the lines of the building are further exactly parallel with those of the mound on which it is placed; and the parallelism extends to any other detached buildings that there may be anywhere upon the platform. When a mound is occupied by more palaces than one, sometimes this law still obtains, as at Nimrud, where it seems to embrace at any rate the greater number of the palaces; sometimes, as at Koyunjik, the rule ceases to be observed, and the ground-plan of each palace seems formed separately and independently, with no reference to any neighboring edifice.

Apart from this feature, the buildings do not affect much regularity. In courts and facades, to a certain extent, there is correspondence; but in the internal arrangements, regularity is decidedly the exception. The two sides of an edifice never correspond; room never answers to room; doorways are rarely in the middle of walls; where a rooms has several doorways, they are seldom opposite to one another, or in situations at all corresponding.

There is a great awkwardness in the communications. Very few corridors or passages exist in any of the buildings. Groups of rooms, often amounting to ten or twelve, open into one another; and we find comparatively few rooms to which there is any access except through some other room. Again, whole sets of apartments are sometimes found, between which and the rest of the palace all communication is cut off by thick walls. Another peculiarity in the internal arrangements is the number of doorways in the larger apartments, and their apparently needless multiplication. We constantly find two or even three doorways leading from a court into a hall, or from one hall into a second. It is difficult to see what could be gained by such an arrangement.