The Persian love of truth was a favorite theme with the Greeks, who were, perhaps, the warmer in their praises from a latent consciousness of their own deficiency in the virtue. According to Herodotus, the attention of educators was specially directed to the point, and each young Persian was taught by his preceptors three main things:—“To ride, to draw the bow, and to speak the truth.” We find that, in the Zendavesta, and more especially in its earliest and purest portions, truth is strenuously inculcated. Ahura-Mazda himself is “true,” “the father of all truth,” and his worshippers are bound to conform themselves to his image. Darius, in his inscriptions, protests frequently against “lies,” which he seems to regard as the embodiment of all evil. A love of finesse and intrigue is congenital to Orientals; and, in the later period of their sway, the Persians appear to have yielded to this natural inclination, and to have used freely in their struggle with the Greeks the weapons of cunning and deception; but, in the earlier period, a different spirit prevailed; lying was then regarded as the most disgraceful act of which a man could possibly be guilty truth was both admired and practised; Persian kings, entrapped into a promise, stood to it firmly, however much they might wish it recalled; foreign powers had never to complain that the terms of a treaty were departed from; the Persians thus form an honorable exception to the ordinary Asiatic character, and for general truthfulness and a faithful performance of their engagements compare favorably with the Greeks and Romans.

The Persian, if we may trust Herodotus, was careful to avoid debt. He had a keen sense of the difficulty with which a debtor escapes subterfuge and equivocation—forms, slightly disguised, of lying. To buy and sell wares in a market place, to chaffer and haggle over prices, was distasteful to him, as apt to involve falsity and unfairness. He was free and open in speech, bold in act, generous, warm-hearted, hospitable. His chief faults were an addiction to self-indulgence and luxury, a passionate abandon to the feeling of the hour, whatever that might happen to be; and a tameness and subservience in all his relations towards his prince, which seem to moderns almost incompatible with real self-respect and manliness.

The luxury of the Persians will be considered when we treat of their manners. In illustration of the two other weak points of their character, it may be observed that, in joy and in sorrow, they were alike immoderate; in the one transported beyond all reasonable bounds, and exhibiting their transports with entire unreserve and openness; in the other proportionately depressed, and quite unrestrained in the expression of their anxiety or misery. AEschylus’ tragedy of the “Persae” is, in this respect, true to nature, and represents with accuracy the real habits of the nation. The Persian was a stranger to the dignified reserve which has commonly been affected by the more civilized among Western nations. He laughed and wept, shouted and shrieked, with the unrestraint of a child, who is not ashamed to lay bare his inmost feelings to the eyes of those about him. Lively and excitable, he loved to give vent to every passion that stirred his heart, and cared not how many witnessed his lamentations or his rejoicings.

The feeling of the Persian towards his king is one of which moderns can with difficulty form a conception. In Persia the monarch was so much the State, that patriotism itself was, as it were, swallowed up in loyalty; and an absolute unquestioning submission, not only to the deliberate will, but to the merest caprice of the sovereign, was, by habit and education, so engrained into the nature of the people that a contrary spirit scarcely ever manifested itself. In war the safety of the sovereign was the first thought, and the principal care of all. The tales told of the self-devotion of individuals to secure the preservation of the monarch may not be true, but they indicate faithfully the actual tone of men’s sentiments about the value of the royal person. If the king suffered, all was lost; if the king escaped, the greatest calamities seemed light, and could be endured with patience. Uncomplaining acquiescence in all the decisions of the monarch—cheerful submission to his will, whatever it might chance to be—characterized the conduct of the Persians in time of peace. It was here that their loyalty degenerated into parasitical tameness, and became a defect instead of a virtue. The voice of remonstrance, of rebuke, of warning, was unheard at the Court; and tyranny was allowed to indulge unchecked in the wildest caprices and extravagances. The father, whose innocent son was shot before his eyes by the king in pure wantonness, instead of raising an indignant protest against the crime, felicitated him on the excellence of his archery. Unfortunates, bastinadoed by the royal orders, declared themselves delighted, because his majesty had condescended to recollect them. A tone of sycophancy and servility was thus engendered, which, sapping self-respect, tended fatally to lower and corrupt the entire character of the people.

In considering the manners and customs of the Persians, it will be convenient to follow the order already observed in treating of Assyria and Media—that is to say, to treat, in the first instance, of their warlike, and subsequently of their peaceful usages. On the latter the monuments throw considerable light; on the former, the information which they supply is comparatively scanty.

The Persians, like the Medes, regarded chariots with disfavor, and composed their armies almost entirely of foot and horse. The ordinary dress of the foot-man was, in the earlier times, a tunic with long sleeves, made of leather, and fitting rather tightly to the frame, which it covered from the neck to the knee. Under this was worn a pair of trousers, also of leather, and tolerably tight-fitting, especially at the ankles, where they met a sort of high shoe, or low boot. The head was protected by a loose round cap, apparently of felt, which projected a little in front, and rose considerably above the top of the head. Round the waist was worn a double girdle or belt, from which depended a short sword. [PLATE XXVIII Fig. 4.]

The offensive arms of the foot-man were, a sword, a spear, and a bow. The sword, which was called by the Persians akinaces, appears to have been a short, straight weapon, suited for stabbing rather than for cutting, and, in fact, not very much better than a dagger. [PLATE XXIX., Fig. 2.] It was carried in a sheath, and was worn suspended from the girdle on the right side. From the Persepolitan sculptures it would seem not to have hung freely, but to have been attached to the right thigh by a thong which passed round the knee. The handle was short, and generally unprotected by a guard; but, in some specimens, we see a simple cross-bar between the hilt and the blade.

The spear carried by the Persian foot-man was also short, or, at any rate, much shorter than the Greek. To judge by the representations of guardsmen on the Persepolitan sculptures, it was from six to six and a half or seven feet in length. The Grecian spear was sometimes as much as twenty-one feet. The Persian weapon had a short head, which appears to have been flattish, and which was strengthened by a bar or ridge down the middle. The shaft, which was of cornel wood, tapered gradually from bottom to top, and was ornamented at its lower extremity with a ball, sometimes carved in the shape of an apple or a pomegranate. [PLATE XXIX., Fig. 3.]

The Persian bow, according to Herodotus and Xenophon, was of unusual size. According to the sculptures, it was rather short, certainly not exceeding four feet. It seems to have been carried strung, either on the left shoulder, with the arm passed through it, or in a bow-case slung at the left side. It was considerably bent in the middle, and had the ends slightly turned back. [PLATE XXX., Fig. 1.] The arrows, which were of reed, tipped with metal, and feathered, were carried in a quiver, which hung at the back near the left shoulder. To judge from the sculptures, their length must have been about two feet and a half. The arrow-heads, which were either of bronze or iron, seem to have been of various shapes, the most common closely resembling the arrow-heads of the Assyrians. [PLATE XXX., Fig. 3.]

[ [!-- IMG --]