Among the officers of the Court, less closely attached to the person of the monarch than those above enumerated, may be mentioned the steward of the household; the groom or master of the horse; the chief eunuch, or keeper of the women; the king’s “eyes” and “ears,” persons whose business it was to keep him informed on all matters of importance; his scribes or secretaries, who wrote his letters and his edicts; his messengers, who went his errands; his ushers, who introduced strangers to him; his “tasters,” who tried the various dishes set before him lest they should be poisoned; his cupbearers who handed him his wine, and tasted it; his chamberlains, who assisted him to bed; and his musicians, who amused him with song and harp. Besides these, the Court comprised various classes of guards, and also doorkeepers, huntsmen, grooms, cooks, and other domestic servants in great abundance, together with a vast multitude of visitors and guests, princes, nobles, captives of rank, foreign refugees, ambassadors, travellers. We are assured that the king fed daily within the precincts of his palace as many as fifteen thousand persons, and that the cost of each day’s food was four hundred talents. A thousand beasts were slaughtered for each repast, besides abundance of feathered game and poultry. The beasts included not only sheep, goats, and oxen, but also stags, asses, horses, and camels. Among the feathered delicacies were poultry, geese, and ostriches.

The monarch himself rarely dined with his guests. For the most part he was served alone. Sometimes he admitted to his table the queen and two or three of his children. Sometimes, at a “banquet of wine,” a certain number of privileged boon companions were received, who drank in the royal presence, not, however, of the same wine, nor on the same terms.

The monarch reclined on a couch with golden feet, and sipped the rich wine of Helbon; the guests drank an inferior beverage, seated upon the floor. At a great banquet, it was usual to divide the guests into two classes. Those of lower degree were entertained in an outer court or chamber to which the public had access, while such as were of higher rank entered the private apartments, and drew near to the king. Here they were feasted in a chamber opposite to the king’s chamber, which had a curtain drawn across the door, concealing him from their gaze, but not so thick as to hide them from their entertainer. Occasionally, on some very special occasion, as, perhaps, on the Royal birthday, or other great festival, the king presided openly at the banquet, drinking and discoursing with his lords, and allowing the light of his countenance to shine freely upon a large number of guests, whom, on these occasions, he treated as if they were of the same flesh and blood with himself. Couches of gold and silver were spread for all, and “royal wine in abundance” was served to them in golden goblets. On these, and, indeed, on all occasions, the guests, if they liked, carried away any portion of the food set before them which they did not consume at the time, conveying it to their homes, where it served to support their families.

The architecture of the royal palace will be discussed in another chapter; but a few words may be said in this place with respect to its furniture and general appearance. The pillared courts and halls of the vast edifices which the Achaemenian monarchs raised at Susa and Persepolis would have had a somewhat bare and cold aspect, if it had not been for their internal fittings. The floors were paved with stones of various hues, blue, white, black, and red, arranged doubtless into patterns, and besides were covered in places with carpeting. The spaces between the pillars were filled with magnificent hangings, white green, and violet, which were fastened with cords of fine linen (?) and purple to silver rings and pillars of marble, screening the guests from sight, while they did not too much exclude the balmy summer breeze. The walls of the apartments were covered with plates of gold. All the furniture was rich and costly. The golden throne of the monarch stood under an embroidered canopy or awning supported by four pillars of gold inlaid with precious stones. [PLATE XXXV.] Couches resplendent with silver and gold filled the rooms. The private chamber of the monarch was adorned with a number of objects, not only rich and splendid, but valuable as productions of high art. Here, impending over the royal bed, was the golden vine, the work of Theodore of Samos, where the grapes were imitated by means of precious stones, each of enormous value. Here, probably, was the golden plane-tree, a worthy companion to the vine, though an uncourtly Greek declared it was too small to shade a grasshopper. Here, finally, was a bowl of solid gold, another work of the great Samian metallurgist, more precious for its artistic workmanship than even for its material.

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Nothing has hitherto been said of the Royal harem or seraglio, which, however, as a feature of the Court always important, and ultimately preponderating over all others, claims a share of our attention. In the early times, it would appear that the Persian kings were content with three or four wives, and a moderate number of concubines. Of the wives there was always one who held the most exalted place, to whom alone appertained the title of “Queen,” and who was regarded as “wife” in a different sense from the others. Such was Atossa to Darius Hystaspis, Amestris to Xerxes, Statira to Darius Codomannus. Such, too, were Vashti and Esther to the prince, whoever he was, whose deeds are recorded in Scripture under the name of Ahasuerus. The chief wife, or Queen-Consort, was privileged to wear on her head a royal tiara or crown. She was the acknowledged head of the female apartments or Gynaeceum, and the concubines recognized her dignity by actual prostration. On great occasions, when the king entertained the male part of the Court, she feasted all the females in her own part of the palace. She had a large revenue of her own, assigned her, not so much by the will of her husband, as by an established law or custom. Her dress was splendid, and she was able to indulge freely that love of ornament of which few Oriental women are devoid. Though legally subject to her husband as much as the meanest of his slaves, she could venture on liberties which would have been fatal to almost any one else, and often, by her influence over the monarch, possessed a very considerable share of power.

The status of the other wives was very inferior to this; and it is difficult to see how such persons were really in a position much superior to that of the concubines. As daughters of the chief nobles—for the king could only choose a wife within a narrow circle—they had, of course, a rank and dignity independent of that acquired by marriage; but otherwise they must have been almost on a par with those fair inmates of the Gynaeceum who had no claim even to the name of consort. Each wife had probably a suite of apartments to herself, and a certain number of attendants—eunuchs, and tirewomen—at her disposal; but the inferior wives saw little of the king, being only summoned each in their turn to share his apartment, and had none of the privileges which made the position of chief wife so important.

The concubines seem to have occupied a distinct part of the Gynaeceum, called “the second house of the women.” They were in the special charge of one of the eunuchs, and were no doubt kept under strict surveillance. The Empire was continually searched for beautiful damsels to fill the harem, a constant succession being required, as none shared the royal couch more than once, unless she attracted the monarch’s regard very particularly. In the later times of the Empire, the number of the concubines became enormous, amounting (according to one authority) to three hundred and twenty-nine, (according to another) to three hundred and sixty. They accompanied the king both in his wars and in his hunting expeditions. It was a part of their duty to sing and play for the royal delectation; and this task, according to one author, they had to perform during the whole of each night. It is a more probable statement that they entertained the king and queen with music while they dined, one of them leading, and the others singing and playing in concert.

The Gynaeceum—in the Susa palace, at any rate—was a building distinct from the general edifice, separated from the “king’s house” by a court. It was itself composed of at least three sets of apartments—viz. apartments for the virgins who had not yet gone into the king, apartments for the concubines, and apartments for the Queen-Consort and the other wives. These different portions were under the supervision of different persons. Two eunuchs of distinction had the charge respectively of the “first” and of the “second house of the women.” The Queen-Consort was, at any rate nominally, paramount in the third, her authority extending over all its inmates, male and female.