"Which two words, altar and sacrifice, 'tis said, did so provoke and kindle the zealots indignation, that they resolve to make the tomb itself a sacrifice: and with axes, poleaxes, and hammers, destroy and break down all that curious monument, save only two pilasters still remaining, which shew and testifie the elegancy of the rest of the work. Thus it hapned, that the good old knight who was a constant frequenter of Gods publick service, three times a day, outlived his own monument, and lived to see himself carried in effigie on a souldiers back, to the publick market-place, there to be sported withall, a crew of souldiers going before in procession, some with surplices, some with organ pipes, to make up the solemnity.
"When they had thus demolished the chief monuments, at length the very gravestones and marbles on the floor did not escape their sacrilegious hands. For where there was any thing on them of sculptures or inscriptions in brass, these they force and tear off. So that whereas there were many fair pieces of this kind before, as that of abbot William of Ramsey, whose large marble gravestone was plated over with brass, and several others the like, there is not any such now in all the church to be seen; though most of the inscriptions that were upon them are preserved in this book.
"One thing, indeed, I must needs clear the souldiers of, which Mercurius Rusticus upon misinformation charges them with, viz.:—That they took away the bell clappers and sold them, with the brass they plucked off from the tombs. The mistake was this: the neighbourhood being continually disturbed with the souldiers jangling and ringing the bells auker, as though there had been a scare-fire, (though there was no other, but what they themselves had made,) some of the inhabitants by night took away the clappers and hid them in the roof of the church, on purpose only to free their ears from that confused noise; which gave occasion to such as did not know it, to think the souldiers had stolen them away.
"Having thus done their work on the floor below, they are now at leasure to look up to the windows above, which would have entertained any persons else with great delight and satisfaction, but only such zealots as these, whose eyes were so dazzled, that they thought they saw popery in every picture and piece of painted glass.
"Now the windows of this church were very fair, and had much curiosity of workmanship in them, being adorned and beautified with several historical passages out of scripture, and ecclesiastical story; such were those in the body of the church, in the isles, in the new building, and elsewhere. But the cloister windows were most famed of all for their great art and pleasing variety. One side of the quadrangle containing the history of the Old Testament; another, that of the new; a third, a history from the first foundation of the Monastery of King Peada to the restoring of it by King Edgar; a fourth, all the kings of England downwards from the first Saxon king. All which notwithstanding were most shamefully broken and destroyed."
[But little remains to be seen of these famous cloisters beyond the mouldings of arches imposed in rough walls on each side. The five recesses in the south wall were partly the lavatories used by the Monks before entering the refectory by the richly cut door in the corner.]
"Every window had at the bottom the explanation of the history thus in verse:—
First Window.
Col. 1.
"King Penda, a paynim, as writing seyth,