It only remains to thank, with a heartiness not easily to be expressed, the friends who have been good enough to read my proofs and to give me the benefit of their special knowledge. Not always does the restless explorer of literature at large who, knowing that here also “the merry world is round And [he] may sail for evermore,” elects to be a world-wanderer, receive, from the legitimate authorities of the ports into which he puts, a genuine welcome, cheerful victualling, and assistance in visiting the adjacent provinces. Sometimes they fire into him, sometimes they deny him food and water, often they look upon him as a filibuster, or an interloper, or presumptuous. But Professor Butcher, Professor Hardie, and Professor Ker, who have had the exceeding kindness to read each the portion of this volume which belongs to him more specially of right, have not only given me invaluable suggestions and corrections, but have even encouraged me to hope that my treatment, however far it may fall short of what is desirable, is not grossly and impudently inadequate. May all other competent persons be equally lenient!

GEORGE SAINTSBURY.

Edinburgh, Lammastide 1900.

NOTE TO SECOND EDITION.

Since this book was first printed, I have remembered that the story about Malatesta and the bones (note, p. 124) is told by Mr Symonds in more than one place (e.g., The Revival of Learning, new ed., p. 151) of Gemistus Pletho, the well-known Grecian and Platonist, whose appearance in Italy so much excited Humanism. This is, for many reasons, much more probable; but the mistake of “Themistius,” if mistake it be, is not mine but Dindorf’s, or rather that of Keyssler, from whom Dindorf quotes an account of the matter, and an apparently literal transcript of the inscription. Some minor emendations have been made in this edition, but it has been thought better to place the major corrections of fact and explanations of meaning in the second volume, in order that all possessors of the book may be equally furnished with these.


CONTENTS.


BOOK I.

GREEK CRITICISM.