[416] I do not call Flaubert "his fellow," or the fellow of any one noticed in this chapter, for which reason I kept him out of it.

[417] It must be remembered that it was long before even 1870. I suppose some one, in the mass of war-literature, must have dealt with "The Ideal German in European Literature between 1815 and 1864." If nobody has, an excellent subject has been neglected.

[418] And, according to one reviewer, the deficient sense of humour.

[419] They might serve to exemplify About's often doubtful taste. The central story and main figures of Tolla were taken from a collection of the poor girl's letters published by her family a few years before; and the original of "Lello" was still alive. His relations tried to buy up the book, and nearly succeeded. In the MS. About had, while slightly altering the names, referred pretty fully to this document. The whole thing has, however, rather a much-ado-about-nothing air and, save as connected with a periodical of such undoubted "seriousness," might suggest a trick.

[420] "It" was Timon of Athens.

[421] It may please the historically given reader to regard this as an actual survival of the Scudéry histoireHistoire de Madame Fratieff et de sa fille Nadine. Only it would, as such, have occupied a score or two of pages for each one.

[422] Tolla is not so very delightful: but she is meant to be.

[423] About has a gird or two at Balzac, but evidently imitates him. In this very book, when the old duke (v. inf.) comes under Madame Chermidy's influence, he suggests Baron Hulot; and Madelon (v. inf. ib.) is almost throughout imitation-Balzacian.

[424] For Honorine, though managing to retain some public reputation, has long been practically "unclassed"; and it is not only her husband's profession which has made him leave her.

[425] Germaine, quite naturally and properly, starts with a strong dislike to her husband. When he takes her to Italy, and devotes himself to the care of her health, this changes to affection. And the more it changes, the more disagreeable she makes herself to him.