(There is no trisyllabic substitution.)
(b) Tennyson (Maud):
Cōld ănd clēar-cŭt fāce, why̆ cōme yŏu sŏ crūelly̆ mēek,
Brēakĭng ă slūmbĕr ĭn whīch āll splēenfŭl fōlly̆ wăs drōwn'd,
Pāle wĭth thĕ gōldĕn bēam ŏf ăn ēyelăsh dēad ŏn thĕ chēek,
Passionless, pale, cold face, star-sweet on a gloom profound;
Womanlike, taking revenge too deep for a transient wrong
Done but in thought to your beauty, and ever as pale as before
Growing and fading and growing upon me without a sound,
Luminous, gemlike, ghostlike, deathlike, half the night long
Growing and fading and growing, till I could bear it no more,
Bŭt ărōse, and all by myself in my own dark garden ground,
Listening now to the tide in its broad-flung shipwrecking roar,
Now to the scream of a madden'd beach dragg'd down by the wave,
Walk'd in a wintry wind by a ghastly glimmer, and found
Thĕ shīning daffodil dead, and Orion low in his grave.
(A rather deceptive metre; for which reason foot-division has been postponed above.) It may look at first sight like a trochaic run, but this will be found not to fit. Then hexameters of the Evangeline type, with a syllable cut off at the end, suggest themselves; but it will be seen that some openings make this very bad. It is really a six-foot anapæst with the usual allowance of iambic substitution and of monosyllabic ("anacrustic") beginning, as thus:
Cold | and clear-|cut face, | why come | you so cru|elly meek,
. . . . . . .
But arose, | and all | by myself | in my own | dark gar|den ground,
. . . . . . .
The shin|ing daf|fodil dead,| and Ori|on low | in his grave.
(c) Tennyson (Voyage of Maeldune):
And we came | to the Isle | of Flowers: | their breath | met us out | on the seas,
For the Spring | and the mid|dle Sum|mer sat each | on the lap | of the breeze;
And the red | passion-flower | to the cliffs, | and the dark-|blue clem|atis, clung,
And starr'd | with a myr|iad blos|som the long | convol|vulus hung.
(Same metre, but almost purely anapæstic; the central pause frequently strong.)
(d) Tennyson (Kapiolani)
When ¦ from the | ter¦rors of | Na¦ture a | peo¦ple have | fash¦ioned and | wor¦ship a | spir¦it of | E¦vil.