laments the restriction to iambs, and shows a remarkable appreciation of Chaucer's "liberty that the Latinists do use," i.e. equivalent substitution, though he may not have quite correctly understood this.

The desire for order and regularity in all this is very noticeable, and perfectly intelligible to any one who has appreciated (see [last Book]) the hopeless breakdown, due to the neglect of these qualities, in English prosody between 1400 and 1530. Gascoigne's statement about the iamb is, moreover, true of the majority of his own contemporaries, though it overlooks such a writer as Tusser. But it would be a grievous mistake (and unfortunately it has often been committed) to accept this not quite accurate declaration of ephemeral fact—accompanied as it is, more especially, by another expression of regret for that fact—as a rule and principle governing Elizabethan and English poetry.

Gascoigne's little treatise was followed at no great intervals, but after his own death, by more elaborate dealings with the subject—some of them exclusively or mainly devoted to the new craze for classical metres, others treating the subject at large and merely referring to the "versing" attempts. The order of these compositions, with a very brief sketch of their contents, may now be given.

Spenser and Harvey.

In the winter of 1579-80, the date of the appearance of the Shepherd's Calendar, Spenser and his pragmatical friend Gabriel Harvey exchanged certain letters (which we have) dealing with the "versing" attempt that Spenser himself makes. An experiment in quantified trimeter refers to "rules" on the subject made by a Cambridge man named Drant, but does not (unfortunately) give them, and asks for Harvey's own. Harvey blows rather hot and cold on the matter, approving the system, but criticising the details.

Stanyhurst.

Next, in 1582, came the Preface to Richard Stanyhurst's translation of the Aeneid, a book famous for the strange language in which it is written, but, as far as its Preface is concerned, a very sober and scientific attempt to do an impossible thing. Stanyhurst endeavours to arrange a set of rules for determining the quantity of every syllable in English, not necessarily according to its Latin or other derivation, but on principles germane to the language itself. He does not and cannot succeed; but his attempt is interesting, and rather less contrary to facts than some recent attempts of the same kind.

Webbe.

He was followed, in 1586, by William Webbe, whose Discourse of English Poetry is notable for the enthusiasm displayed by the author towards Spenser (the Shepherd's Calendar had appeared some years previously); for his curiously combined enthusiasm as regards the classical metres which Spenser had tried and dropped; for the first published sketch of the history of English poetry (erroneous, but interesting); and for a certain number of desultory remarks on prosodic subjects, mostly brought round to the classical fancy, though showing the interest which these questions were exciting. But between Stanyhurst and Webbe one book of the kind had appeared, and another had been perhaps composed, though not printed, in the same year—1584.