(Two examples (2 and 3) of the so-called "Lydgatian" missing syllable at cæsura.)
(c) A typical minor, John Metham, in Amoryus and Cleopes, stanza 1:
The charms | of love | and eke | the peyn | of Amo|ryus | the knyght
For Cleo|pes sake | and eke | how bothe | in fere
Lovyd | and af|tyr deyed, | my pur|pos ys | to indight.
And now, | O god|dess, I thee | beseche | off kun|ning that | have | syche might,
Help me | to adorne | ther charms | in syche | maner
So that | qwere this | matere | doth yt | require
Bothe ther | lovys I | may compleyne | to loverys | desire.
(A fourteener, a decasyllable, an Alexandrine, a sixteener, and three decasyllables, the last very shaky either as that or as an Alexandrine! In fact, sheer doggerel of the unintended kind.)
XVII. Transition Period
Examples of True Prosody in Ballad, Carols, etc.
(a) Chevy Chase:
The Per|cy out | of Northum|berland,
And a vow | to God | made he,
That he | would hunt | in the moun|tains
Of Chev|iot within | days three,
In the mau|gre of dough|ty Doug|las
And all | that ever with | him be.
(It must be observed that this modern spelling exactly represents the old prosodically. The reader will then see that there are no liberties, on the equivalent system, except the crasis of "-viot" and "ever." The former, insignificant in any case, is still more so here, for the actual Northumbrian pronunciation is or was "Chevot"; while if "ever" changes places with "that," there is not even any crasis needed. For a piece so rough in phrase, and copied by a person so evidently illiterate, the exactness is astonishing.)
(b) "E.I.O.":