If all | the pens | that ev|er po|ets held
Had fed | the feel|ing of | their mas|ters' thoughts,
And ev|ery sweet|ness that | inspir'd | their hearts,
Their minds, | and mu|ses, on | admir|èd themes;
If all | the heav|enly quint|essence | they 'still
From their | immort|al flowers | of po|esy,
Wherein | as in | a mir|ror we | perceive
The high|est reach|es of | a hu|man wit;
If these | had made | one po|em's per|iod,
And all | combined | in beau|ty's worth|iness,
Yet should | there hov|er in | their rest|less heads
One thought, | one grace, | one won|der at | the least,
Which in|to words | no vir|tue can | digest.
(Tamburlaine.)
(These passages, despite their extreme poetical beauty, are still prosodically immature. Even when, as in the last, there are lines with no technical "stop" at the end, as at "held" and "heads," the grammatical incompleteness does not interfere with the rounding off of the prosodic period or sub-period. Marlowe (v. inf.) could enjamb couplet beautifully, but not blank verse. Note also that the lines are strictly decasyllabic, the only hints at trisyllabic feet being in words like "Heaven," then regularly a monosyllable, "every," and "flowers.")
(e) Shakespeare.
(1) Early single-moulded:
Upon | his blood|y fin|ger he | doth wear
A pre|cious ring, | that light|ens all | the hole,
Which, like | the ta|per in | some mon|ument,
Doth shine | upon | the dead | man's earth|y cheeks,
And shows | the rag|ged en|trails of | the pit.
(Titus Andronicus.)
(Same remarks applying as to the last citation.)
(2) Beginning of perfected stage: