She and he; Lavinia; Memoir

by George Sand

"Now," he said to Thérèse, as he knelt to offer her her cup, "I can understand how one can be a servant and enjoy his profession."

From certain people, even the most trivial attentions have an extraordinary value. There was in Laurent's manners, and even in his attitudes, a certain stiffness which he never laid aside, even with society women. He offered them attentions with the ceremonious coldness of the most rigid etiquette. With Thérèse, who did the honors of her little home like the excellent woman and good-humored artist that she was, he had always been cared for and coddled without having to reciprocate. He would have shown a lack of taste and of tact in assuming to act as the man of the house. Suddenly, as a result of those tears and mutual outpourings of the heart, he found himself, without in the least understanding how it happened, invested with rights which did not belong to him, but which he seized upon as if by inspiration, without opposition on the part of the surprised and deeply moved Thérèse. It seemed to him that he was under his own roof, and that he had won the privilege of looking after the mistress of the house, like a loving brother or an old friend. And Thérèse, without a thought of the danger of this taking possession, watched him with wide-open, wondering eyes, asking herself if she had not been radically mistaken hitherto in regarding that affectionate and devoted child as a reserved and gloomy man.

However, Thérèse reflected during the night; but, in the morning, Laurent, who, although he had no premeditated plan, did not propose to give her time to breathe,—for he had ceased to breathe himself,—sent her magnificent flowers, rare sweetmeats, and a note so loving, so gentle and respectful, that she could not fail to be touched by it. He said that he was the happiest of men, that he desired nothing more except her forgiveness, and that, as soon as he had obtained that, he should be the king of the world. He would accept any deprivation, any harsh decree, provided only that he was not forbidden to see and talk with his friend. That alone would be beyond his strength; all the rest was as nothing. He was well aware that Thérèse could have no love for him; which fact did not deter him from saying, ten lines lower down: "Is not our sanctified love indissoluble?"

And stating thus the pros and the con's, the false and the true, a hundred times a day, with a candor by which he was unquestionably deceived himself, encompassing Thérèse with delicate attentions, striving with all his heart to give her confidence in the chastity of their relations, and at every instant talking to her in a lofty strain of his adoration for her, seeking to divert her when she was disturbed in mind, to cheer her when she was sad, to melt her toward himself when she was stern, he led her insensibly to the point where she had no other will and no other existence than his.

Nothing is so perilous as those intimacies in which the parties have exchanged a promise not to attack each other, when neither of the two inspires a secret physical repulsion in the other. Artists, because of their independent life and the nature of their occupations, which oblige them often to depart from social conventions, are more exposed to these perils than they who live by rule and whose imaginations are less active. We should forgive them, therefore, for more sudden impressions and more feverish impulses. Public opinion realizes this duty, for it is generally more indulgent to those who go astray, perforce, in the tempest than those whose lives are passed in a flat calm. And then the world demands from artists the fire of inspiration, and that fire, which overflows for the enjoyment and enthusiasm of the public, must inevitably consume themselves in time. Then we pity them; and the honest bourgeois, returning to his family at night, after learning of their misfortunes and downfall, says to his excellent and gentle helpmeet:

"You remember that poor girl who sang so well? she is dead of a broken heart. And that famous poet who wrote such fine verses has killed himself. It's a great pity, wife. All those people end badly. We, the simple creatures, are the happy ones."

And the honest bourgeois is right.

Thérèse had lived a long while, however, if not as an honest bourgeois,—for one must have a family for that, and God had denied her a family,—at all events as a hard-working young woman, working from early morning, and not regaling herself with pleasure or sloth at the end of her day's work. She constantly aspired to the joys of a regular, domestic life; she loved order, and, far from displaying the childish contempt which certain artists lavished upon what they called, in those days, the grocer class, she bitterly regretted that she had not married in that safe and modest social circle where she would have found affection and security instead of talent and renown. But we do not choose our own destinies, for fools and ambitious mortals are not the only imprudent wights whom destiny overwhelms.

[V]

Thérèse had no weakness for Laurent in the ironical, libertine sense in which that word is commonly used in love. It was by an effort of her will that she said to him, after many nights of painful meditation: