The Bagpipers

by George Sand

"You are neither an idiot nor crazy," returned Brulette; "but you are very obstinate, my poor José. You must know, Tiennet, that the lad has nothing wrong in his head, except a fancy for music, which is not so unreasonable as it is dangerous."

"Then," answered I, "I understand what he was saying to me just now. But where the devil did he pick up these ideas?"

"Wait a minute!" said Brulette; "we must not irritate him unjustly. Don't be in a hurry to say he can't make music; though perhaps you think, like his mother and my grandfather, that his mind is as dense to that as it used to be to the catechism. But I can tell you that Mariton, and grandfather, and you are the ones who know nothing about it. Joseph can't sing,—not that he is short of breath, but because he can't make his throat do as he wants it; and as he isn't able to satisfy himself he prefers not to use a voice he doesn't know how to manage. Therefore, naturally enough, he wants to play upon some instrument which has a voice in place of his own, and which can sing for him whatever comes in his head. It is because he has failed to get this borrowed voice that our poor lad is so sad and dreamy and wrapped up in himself."

"It is exactly as she tells you," remarked Joseph, who seemed comforted to hear the young girl lift his thoughts out of his heart and make me comprehend them. "But she does not tell you that she has a voice for me, so sweet, so clear, which repeats so correctly the music she hears that ever since I was a child my greatest pleasure is to listen to her."

"Yes," said Brulette, "but we always had a crow to pick with each other. I liked to do as all the other little girls who kept their flocks did; that is, sing at the top of my voice so that I could be heard a long distance. Screaming like that, I outdid my strength and spoilt all, and hurt José's ears. Then, after I settled down to singing reasonably, he thought I had a good memory for all the tunes that were singable, those which pleased the lad and those that put him in a rage; and more than once I've known him turn his back on me suddenly and rush off without a word, though he had asked me to sing. For that matter, he is not always civil or kind; but as it is he, I laugh instead of getting angry. I know very well he'll come back, for his memory is not sure, and when he has heard an air that pleases him he comes to me for it, and he is pretty sure to find it in my head."

I remarked to Brulette that as Joseph had such a poor memory he didn't seem to me born to play the bagpipes.

"Oh nonsense!" she said, "it is just there that you have got to turn your opinion wrong side out. You see, my poor Tiennet, that neither you nor I know the truth of the thing, as José says. But by dint of living with him and his visions I have come to understand what he either does not know or dares not say. The 'truth of the thing' is that José thinks he can invent his own music; and he does invent it, for sure. He has succeeded in making a flute out of a reed, and he plays upon it; I don't know how, for he won't let me, nor any one else, hear him. When he wants to play he goes off, on Sundays and sometimes at night, into lonely places where he can flute as he likes; but when I ask him to play for me he answers that he does not yet know what he wants to know, and that he can't do as I ask until it is worth while. That's why, ever since he invented his instrument, he goes off on Sundays and sometimes, during the week, at night, when his music grips him hard. So you see, Tiennet, that it is all very harmless. But it is time we should have an explanation between us three; for José has now set his mind on spending his next wages—up to this time he has always given them to his mother—in buying a bagpipe; and, as he knows he is a poor hand at farm-labor and yet his heart is set on relieving his mother of hard work, he wants to take up the business of playing the bagpipe because, true enough, it pays well."

"It would be a good idea," said my sister, who was listening to us, "if Joseph really has a talent for it. But, before buying the bagpipe, it is my opinion he ought to know something about using it."

"That's a matter of time and patience," said Brulette, "and there's no hindrance there. Don't you know that for some time past Carnat's son has been learning to play, so as to take his father's place."

"Yes," I answered, "and I see what will come of it. Carnat is old and some one might have a chance for his custom; but his son wants it, and will get it because he is rich and has influence in the neighborhood; while you, José, have neither money to buy your bagpipe nor a master to teach you, nor friends who like your music to push you on."