It is during those nights, nights misty and gray, that the hemp-dresser tells his weird stories of will-o’-the-wisps and milk-white hares, of souls in torment and wizards changed to wolves, of witches’ vigils at the cross-roads, and screech-owls, prophetesses of the graveyard. I remember passing the early hours of such a night while the hemp-dressing was going on, and the pitiless strokes, interrupting the dresser’s story at its most awful place, sent icy shivers through our veins. And often too the good man continued his story as he worked, and four or five words were lost, terrible words, no doubt, which we dared not make him repeat, and whose omission added a mystery yet more fearful to the dark mysteries of the story which had gone before. It was in vain the servants warned us that it was too late to stay without doors, and that bedtime had sounded for us long since; they too were dying to hear more; and then with what terror we crossed the hamlet on our way home! How deep did the church porch appear to us, and how thick and black the shadows of the old trees! The graveyard we dared not see; we shut our eyes tight as we passed it.

But no more than the sacristan is the hemp-dresser gifted solely with the desire of frightening; he loves to make people laugh; he is sarcastic and sentimental at need, when love and marriage are to be sung. It is he who collects and keeps stored in his memory the oldest songs, and who transmits them to posterity. And so it is he who acts at weddings the part we shall see him play at the presentation of little Marie’s favors.

II

The Wedding Favors

When all the guests were met together in the house, the doors and windows were closed with the utmost care; even the garret window was barricaded; boards and benches, logs and tables were placed behind every entrance, just as if the inhabitants were making ready to sustain a siege; and within these fortifications solemn stillness prevailed until at a distance were heard songs and laughter and the sounds of rustic music. It was the band of the bridegroom, Germain at the head, followed by his most trusty companions and by the grave-digger, relatives, friends, and servants, who formed a compact and merry train. Meanwhile, as they came nearer the house they slackened their pace, held a council of war, and became silent. The girls, shut up in the house, had arranged little loop-holes at the windows by which they could see the enemy approach and deploy in battle array. A fine, cold rain was falling, which added zest to the situation, while a great fire blazed on the hearth within. Marie wished to cut short the inevitable slowness of this well-ordered siege; she had no desire to see her lover catch cold, but not being in authority she had to take an ostensible share in the mischievous cruelty of her companions.

When the two armies met, a discharge of firearms on the part of the besiegers set all the dogs in the neighborhood to barking. Those within the house dashed at the door with loud yelps, thinking that the attack was in earnest, and the children, little reassured by the efforts of their mothers, began to weep and to tremble. The whole scene was played so well that a stranger would have been deceived, and would have made his preparations to fight a band of brigands. Then the grave-digger, bard and orator of the groom, took his stand before the door, and with a rueful voice, exchanged the following dialogue with the hemp-dresser, who was stationed above the same door:

The Grave-digger: “Ah, my good people, my fellow-townsmen, for the love of Heaven, open the door.”

The Hemp-dresser: “Who are you, and what right have you to call us your dear fellow-townsmen? We don’t know you.”

The Grave-digger: “We are worthy folk in great distress. Don’t be afraid of us, my friends. Extend us your hospitality. Sleet is falling; our poor feet are frozen, and our journey home has been so long that our sabots are split.”