THE CONFERENCE WITH THE PICCININO.

"Come" he said, looking himself over in a large mirror that hung against the wall; "I can appear before a woman now without frightening her. What do you think about it, Michelangelo Lavoratori?"

"Come," he said, looking himself over in a large mirror that hung against the wall; "I can appear before a woman now without frightening her. What do you think about it, Michelangelo Lavoratori?"

And, heedless of the impression that that conceited tone might produce on the young artist, he set about closing his house with the utmost care. After which, he gayly passed his arm through Michel's, and started off so swiftly that the others had difficulty in keeping pace with him.

When they had passed Nicolosi, Fra Angelo, stopping at a place where two paths converged, took leave of his young friends, to return to his monastery, advising them not to lose time escorting him thither.

"The leave granted me expires in half an hour," he said. "It may be that I shall have many other favors to ask within a short time, and I must not abuse this one. Yonder is the direct road to the Villa Palmarosa without passing Bel Passo. You do not need me to be introduced to the princess's presence. She has been notified and she expects you. Here is a key to the park, Michel, and one to the little garden outside the Casino. You know the staircase cut in the rock. You must ring twice, thrice and once at the small gilt gate at the top. Until then avoid being seen, and make sure that nobody is following you. When the maid comes to open the gate leading into the private garden, your countersign will be Blessed Madonna of Bel Passo. Do not lose these keys, Michel. Within a few days all the locks have been changed secretly, and the new ones are so complicated, that unless he applies to the locksmith who furnished them, and who is incorruptible, it will be impossible henceforth for Ninfo to get into the villa by means of false keys. One word more, my children. If any unforeseen occurrence should make my presence urgently necessary during the night, the Piccinino knows my cell and how to get into the convent."

"I should say as much!" said the bandit, when they had left the Capuchin; "I have indulged in enough escapades at night and returned just before dawn often enough, to know how to climb the walls of the convent of Mal Passo. Well, my friend, we no longer have to be careful of good Brother Angelo's legs; we will run a bit on this slope, and you will be kind enough not to lag behind, for I am not inclined to follow beaten paths. It is not my custom, and the way the crow flies is much safer and more expeditious."

As he spoke he darted in among the rocks which descended abruptly to the bed of the stream, as if he proposed to jump over. It was a very bright night, as almost all nights are in that beautiful climate. But the moon, which was just rising and casting huge shadows across the ravines, made everything uncertain and deceptive to the eye. If Michel had not kept close to his guide, he would have been completely at a loss what course to take among masses of lava and steep cliffs which it seemed impossible to climb. Although the Piccinino was perfectly familiar with the practicable spots, there were some so dangerous and difficult that Michel would have refused to take the risk, except for the fear of being considered cowardly and awkward. But the rivalry of self-love is a spur which increases a man's faculties tenfold, and, at the risk of killing himself twenty times over, the young artist followed the bandit without stumbling and without uttering a word which betrayed his discomfort and his distrust.

We say distrust, because he soon felt sure that all this trouble and contempt of danger did not shorten their road. It might be a malicious device on the part of the adventurer to test his strength, his agility, and his courage, or an attempt to elude him. He was almost convinced of it, when, after half an hour of this wild chase, and after thrice crossing the same winding stream, they found themselves in the bottom of a ravine which Michel thought that he recognized as one that he and the Capuchin had skirted on the higher land on their way to Nicolosi. He did not choose to make that suggestion; but he involuntarily paused a moment to look at the stone cross at the foot of which the Destatore had blown out his brains, and which stood out against the sky on the edge of the ravine. Then, looking about, he recognized the block of black lava which Fra Angelo had pointed out to him from a distance, and which served as a monument to the bandit chief. It was only a few steps away, and the Piccinino had walked thither and was standing beside the rock, with folded arms, in the attitude of a man stopping to take breath.