The belief in a romantic chaos lends itself to pessimism, but it also lends itself to absolute self-assertion. Kant had boasted that he had removed knowledge in order to make room for faith; in other words, he had returned to chaos in order to find freedom. The great egotists, who detested the pressure of a world they had not posited or created, followed gladly in that path; but Schopenhauer was not an egotist. Like Goethe he was probably more selfish personally than those other philosophers whom their very egotism had made zealous and single-minded; but in imagination and feeling he was, like Goethe, genial and humane: the freedom and exuberance of nature impressed him more than his own. Had he been an egotist, as Fichte, Hegel, and Nietzsche were, he might have been an optimist like them. He was rather a happy man, hugely enjoying a great many things, among them food and music; and he taught that music was a direct transcript of the tormented will to live. How simple it would have been for him, if he had been an egotist, to enjoy the spectacle of that tormented will as much as the music which was its faithful image! But no; such æsthetic cruelty, which was Nietzsche's delight, would have revolted Schopenhauer. He thought tragedy beautiful because it detached us from a troubled world and did not think a troubled world good, as those unspeakable optimists did, because it made such a fine tragedy. It is pleasant to find that among all these philosophers one at least was a gentleman.

If Will is the sole substance or force in the universe, it must be present in everything that exists, yet Schopenhauer affirmed that it was absent in æsthetic contemplation; and he looked to an ultimate denial of the Will, which if it was to be an act and not merely a void would evidently be impossible on his principles. The Will might well say to those who attempted to deny it: "They reckon ill who leave me out; when me they fly, I am the wings." In perceiving and correcting this contradiction, Nietzsche certainly improved the technique of the system.

Yet that contradiction was not substantial; it was verbal merely, and due to the fond use of the term Will for what might more properly be called matter, energy, or movement. Will taken in the metaphorical sense can never be in abeyance, so long as anything is going on; but will taken in its proper sense is in abeyance often; and this is what Schopenhauer saw and meant to say. Actual and conscious will is a passing phenomenon; it is so little necessary to life that it always disappears when life is at its height. All pure pleasures, including those of seeing and thinking, are without it: they are ingenuous, and terminate in their present object. A philosopher should have learned from Aristotle, if not from his own experience, that at the acme of life we live in the eternal, and that then, as Schopenhauer said, we no longer pry but gaze, and are freed from willing.

This is not to say that Nietzsche was not very happy and witty in his description of the passions that dominate artists and philosophers, and in urging that the life of the spirit was an impassioned thing. To prove it, he might have quoted Schopenhauer himself, in those moving passages where he describes the ecstasy of thought and the spell of beauty. It is not the dead or the bloodless that have such feelings. Of course, if the operations of the brain, and the whole instinctive life of the soul, were interrupted neither these feelings nor any others would arise. This was at bottom Schopenhauer's conviction. His great intuition, the corner-stone of his philosophy, was precisely the priority of automatism and instinct over the intellect. His only error came from having given to these underlying processes the name of Will, when properly the will is one expression of them only, as the intellect is.

Nietzsche, who adopted the same metaphor, was led by it into the very confusion which he criticised in Schopenhauer. Nietzsche had no great technical competence: he saw the inconsistency only when he disliked the result; when the result fell in with his first impressions he repeated the inconsistency. He often condemned other moralists for being enemies to life: he reproached the greater part of mankind for loving inglorious ease and resenting the sufferings inseparable from the will to be mighty and to perish. But this churlish attitude of the vulgar would be quite impossible if the heroic will to be powerful were the essence of everybody and even of material things. If I am nothing but the will to grow, how can I ever will to shrink?

But this inconsistency in Nietzsche, like that in Schopenhauer, was an honourable one that came of forgetting a false generalisation in the presence of a clear fact. That the will to be powerful is everywhere was a false generalisation; but it was a clear fact that some people are pious Christians or Epicurean philosophers, who do not care at all about conquering the world. They want to be let alone, and perhaps have a shrewd suspicion that no one lives under such dire compulsions as he who undertakes to tyrannise over others. This slave-morality of theirs might be called Will, though it is rather instinct and habit; but it is certainly not a will to be powerful: it is the opposite of that passion. Thus Nietzsche, by an honest self-contradiction, pointed to people who denied the will to be powerful, in order to abuse them, just as Schopenhauer had pointed to people who denied or suspended the will to live, in order to praise them.


[CHAPTER XII]

THE ETHICS OF NIETZSCHE