Primitive thought has the form of poetry and the function of prose. Being thought, it distinguishes objects from the experience that reveals them and it aspires to know things as they are; but being poetical, it attributes to those objects all the qualities which the experience of them contains, and builds them out imaginatively in all directions, without distinguishing what is constant and efficacious in them. This primitive habit of thought survives in mythology, which is an observation of things encumbered with all they can suggest to a dramatic fancy. It is neither conscious poetry nor valid science, but the common root and raw material of both. Free poetry is a thing which early man is too poor to indulge in; his wide-open eyes are too intently watching this ominous and treacherous world. For pure science he has not enough experience, no adequate power to analyse, remember, and abstract; his soul is too hurried and confused, too thick with phantoms, to follow abstemiously the practical threads through the labyrinth. His view of things is immensely overloaded; what he gives out for description is more than half soliloquy; but his expression of experience is for that very reason adequate and quite sincere. Belief, which we have come to associate with religion, belongs really to science; myths are not believed in, they are conceived and understood. To demand belief for an idea is already to contrast interpretation with knowledge; it is to assert that that idea has scientific truth. Mythology cannot flourish in that dialectical air; it belongs to a deeper and more ingenuous level of thought, when men pored on the world with intense indiscriminate interest, accepting and recording the mind’s vegetation no less than that observable in things, and mixing the two developments together in one wayward drama.

It requires genius.

A good mythology cannot be produced without much culture and intelligence. Stupidity is not poetical. Nor is mythology essentially a half-way house between animal vagueness in the soul and scientific knowledge. It is conceivable that some race, not so dreamful as ours, should never have been tempted to use psychic and passionate categories in reading nature, but from the first should have kept its observations sensuous and pure, elaborating them only on their own plane, mathematically and dialectically. Such a race, however, could hardly have had lyric or dramatic genius, and even in natural science, which requires imagination, they might never have accomplished anything. The Hebrews, denying themselves a rich mythology, remained without science and plastic art; the Chinese, who seem to have attained legality and domestic arts and a tutored sentiment without passing through such imaginative tempests as have harassed us, remain at the same time without a serious science or philosophy. The Greeks, on the contrary, precisely the people with the richest and most irresponsible myths, first conceived the cosmos scientifically, and first wrote rational history and philosophy. So true it is that vitality in any mental function is favourable to vitality in the whole mind. Illusions incident to mythology are not dangerous in the end, because illusion finds in experience a natural though painful cure. Extravagant error is unstable, unless it be harmless and confined to a limbo remote from all applications; if it touches experience it is stimulating and brief, while the equipoise of dulness may easily render dulness eternal. A developed mythology shows that man has taken a deep and active interest both in the world and in himself, and has tried to link the two, and interpret the one by the other. Myth is therefore a natural prologue to philosophy, since the love of ideas is the root of both. Both are made up of things admirable to consider.

It only half deceives.

Nor is the illusion involved in fabulous thinking always so complete and opaque as convention would represent it. In taking fable for fact, good sense and practice seldom keep pace with dogma. There is always a race of pedants whose function it is to materialise everything ideal, but the great world, half shrewdly, half doggedly, manages to escape their contagion. Language may be entirely permeated with myth, since the affinities of language have much to do with men gliding into such thoughts; yet the difference between language itself and what it expresses is not so easily obliterated. In spite of verbal traditions, people seldom take a myth in the same sense in which they would take an empirical truth. All the doctrines that have flourished in the world about immortality have hardly affected men’s natural sentiment in the face of death, a sentiment which those doctrines, if taken seriously, ought wholly to reverse. Men almost universally have acknowledged a Providence, but that fact has had no force to destroy natural aversions and fears in the presence of events; and yet, if Providence had ever been really trusted, those preferences would all have lapsed, being seen to be blind, rebellious, and blasphemous. Prayer, among sane people, has never superseded practical efforts to secure the desired end; a proof that the sphere of expression was never really confused with that of reality. Indeed, such a confusion, if it had passed from theory to practice, would have changed mythology into madness. With rare exceptions this declension has not occurred and myths have been taken with a grain of salt which not only made them digestible, but heightened their savour.

It is always by its applicability to things known, not by its revelation of things unknown and irrelevant, that a myth at its birth appeals to mankind. When it has lost its symbolic value and sunk to the level of merely false information, only an inert and stupid tradition can keep it above water. Parables justify themselves but dogmas call for an apologist. The genial offspring of prophets and poets then has to be kept alive artificially by professional doctors. A thing born of fancy, moulded to express universal experience and its veritable issues, has to be hedged about by misrepresentation, sophistry, and party spirit. The very apologies and unintelligent proofs offered in its defence in a way confess its unreality, since they all strain to paint in more plausible colours what is felt to be in itself extravagant and incredible.

Its interpretative essence.

Yet if the myth was originally accepted it could not be for this falsity plainly written on its face; it was accepted because it was understood, because it was seen to express reality in an eloquent metaphor. Its function was to show up some phase of experience in its totality and moral issue, as in a map we reduce everything geographically in order to overlook it better in its true relations. Had those symbols for a moment descended to the plane of reality they would have lost their meaning and dignity; they would tell us merely that they themselves existed bodily, which would be false, while about the real configuration of life they would no longer tell us anything. Such an error, if carried through to the end, would nullify all experience and arrest all life. Men would be reacting on expressions and meeting with nothing to express. They would all be like word-eating philosophers or children learning the catechism.

The true function of mythical ideas is to present and interpret events in terms relative to spirit. Things have uses in respect to the will which are direct and obvious, while the inner machinery of these same things is intricate and obscure. We therefore conceive things roughly and superficially by their eventual practical functions and assign to them, in our game, some counterpart of the interest they affect in us. This counterpart, to our thinking, constitutes their inward character and soul. So conceived, soul and character are purely mythical, being arrived at by dramatising events according to our own fancy and interest. Such ideas may be adequate in their way if they cover all the uses we may eventually find in the objects they transcribe for us dramatically. But the most adequate mythology is mythology still; it does not, like science, set things before us in the very terms they will wear when they are gradually revealed to experience. Myth is expression, it is not prophecy. For this reason myth is something on which the mind rests; it is an ideal interpretation in which the phenomena are digested and transmuted into human energy, into imaginative tissue.

Contrast with science.