In the Catholicism of the Middle Ages, as it flourished in the North, the barbarian soul, apprenticed to monkish masters, appeared in all its childlike trust, originality, and humour. There was something touching and grotesque about it. We seem to see a child playing with the toys of age, his green hopes and fancies weaving themselves about an antique metaphysical monument, the sanctuary of a decrepit world. The structure of that monument was at first not affected, and even when it had been undermined and partially ruined, its style could not be transformed, but, clad in its northern ivy, it wore at once a new aspect. To races without experience—that is, without cumulative traditions or a visible past—Christianity could be nothing but a fairy story and a gratuitous hope, as if they had been told about the Sultan of Timbuctoo and promised that they should some day ride on his winged Arabian horses. The tragic meaning of the Christian faith, its immense renunciation of all things earthly and the merely metaphysical glory of its transfigured life, commonly escaped their apprehension, as it still continues to do. They listened open-mouthed to the missionary and accepted his asseverations with unsuspecting emotion, like the Anglo-Saxon king who likened the soul to a bird flying in and out of a tent at night, about whose further fortunes any account would be interesting to hear. A seed planted in such a virgin and uncultivated soil must needs bring forth fruit of a new savour.
Internal discrepancies between the two.
In northern Christianity a fresh quality of brooding tenderness prevailed over the tragic passion elsewhere characteristic of Catholic devotion. Intricacy was substituted for dignity and poetry for rhetoric; the basilica became an abbey and the hermitage a school. The feudal ages were a wonderful seed-time in a world all gaunt with ruins. Horrors were there mingled with delicacies and confusion with idyllic peace. It was here a poet’s childhood passed amid the crash of war, there an alchemist’s old age flickering away amid cobwebs and gibberish. Something jocund and mischievous peeped out even in the cloister; gargoyles leered from the belfry, while ivy and holly grew about the cross. The Middle Ages were the true renaissance. Their Christianity was the theme, the occasion, the excuse for their art and jollity, their curiosity and tenderness; it was far from being the source of those delightful inventions. The Crusades were not inspired by the Prince of Peace, to whose honour they were fancifully and passionately dedicated; so chivalry, Gothic architecture, and scholastic philosophy were profane expressions of a self-discovering genius in a people incidentally Christian. The barbarians had indeed been indoctrinated, they had been introduced into an alien spiritual and historic medium, but they had not been made over or inwardly tamed. It had perhaps been rendered easier for them, by contact with an existing or remembered civilisation, to mature their own genius, even in the act of confusing its expression through foreign accretions. They had been thereby stimulated to civilise themselves and encouraged also to believe themselves civilised somewhat prematurely, when they had become heirs merely to the titles and trappings of civilisation.
The process of finding their own art and polity, begun under foreign guidance, was bound on the whole to diverge more and more from its Latin model. It consisted now of imitation, now of revulsion and fanciful originality; never was a race so much under the sway of fashions. Fashion is something barbarous, for it produces innovation without reason and imitation without benefit. It marks very clearly that margin of irresponsible variation in manners and thoughts which among a people artificially civilised may so easily be larger than the solid core. It is characteristic of occidental society in mediæval and modern times, because this society is led by people who, being educated in a foreign culture, remain barbarians at heart. To this day we have not achieved a really native civilisation. Our art, morals, and religion, though deeply dyed in native feeling, are still only definable and, indeed, conceivable by reference to classic and alien standards. Among the northern races culture is even more artificial and superinduced than among the southern; whence the strange phenomenon of snobbery in society, affectation in art, and a violent contrast between the educated and the uneducated, the rich and the poor, classes that live on different intellectual planes and often have different religions. Some educated persons, accordingly, are merely students and imbibers; they sit at the feet of a past which, not being really theirs, can produce no fruit in them but sentimentality. Others are merely protestants; they are active in the moral sphere only by virtue of an inward rebellion against something greater and overshadowing, yet repulsive and alien. They are conscious truants from a foreign school of life.
Tradition and instinct at odds in Protestantism.
In the Protestant religion it is necessary to distinguish inner inspiration from historical entanglements. Unfortunately, as the whole doctrinal form of this religion is irrelevant to its spirit and imposed from without, being due to the step-motherly nurture it received from the Church, we can reach a conception of its inner spirit only by studying its tendency and laws of change or its incidental expression in literature and custom. Yet these indirect symptoms are so striking that even an outsider, if at all observant, need not fear to misinterpret them. Taken externally, Protestantism is, of course, a form of Christianity; it retains the Bible and a more or less copious selection of patristic doctrines. But in its spirit and inward inspiration it is something quite as independent of Judea as of Rome. It is simply the natural religion of the Teutons raising its head above the flood of Roman and Judean influences. Its character may be indicated by saying that it is a religion of pure spontaneity, of emotional freedom, deeply respecting itself but scarcely deciphering its purposes. It is the self-consciousness of a spirit in process of incubation, jealous of its potentialities, averse to definitions and finalities of any kind because it can itself discern nothing fixed or final. It is adventurous and puzzled by the world, full of rudimentary virtues and clear fire, energetic, faithful, rebellious to experience, inexpert in all matters of art and mind. It boasts, not without cause, of its depth and purity; but this depth and purity are those of any formless and primordial substance. It keeps unsullied that antecedent integrity which is at the bottom of every living thing and at its core; it is not acquainted with that ulterior integrity, that sanctity, which might be attained at the summit of experience through reason and speculative dominion. It accordingly mistakes vitality, both in itself and in the universe, for spiritual life.
The Protestant spirit remote from that of the gospel.
This underlying Teutonic religion, which we must call Protestantism for lack of a better name, is anterior to Christianity and can survive it. To identify it with the Gospel may have seemed possible so long as, in opposition to pagan Christianity, the Teutonic spirit could appeal to the Gospel for support. The Gospel has indeed nothing pagan about it, but it has also nothing Teutonic; and the momentary alliance of two such disparate forces must naturally cease with the removal of the common enemy which alone united them. The Gospel is unworldly, disenchanted, ascetic; it treats ecclesiastical establishments with tolerant contempt, conforming to them with indifference; it regards prosperity as a danger, earthly ties as a burden, Sabbaths as a superstition; it revels in miracles; it is democratic and antinomian; it loves contemplation, poverty, and solitude; it meets sinners with sympathy and heartfelt forgiveness, but Pharisees and Puritans with biting scorn. In a word, it is a product of the Orient, where all things are old and equal and a profound indifference to the business of earth breeds a silent dignity and high sadness in the spirit. Protestantism is the exact opposite of all this. It is convinced of the importance of success and prosperity; it abominates what is disreputable; contemplation seems to it idleness, solitude selfishness, and poverty a sort of dishonourable punishment. It is constrained and punctilious in righteousness; it regards a married and industrious life as typically godly, and there is a sacredness to it, as of a vacant Sabbath, in the unoccupied higher spaces which such an existence leaves for the soul. It is sentimental, its ritual is meagre and unctuous, it expects no miracles, it thinks optimism akin to piety, and regards profitable enterprise and practical ambition as a sort of moral vocation. Its Evangelicalism lacks the notes, so prominent in the gospel, of disillusion, humility, and speculative detachment. Its benevolence is optimistic and aims at raising men to a conventional well-being; it thus misses the inner appeal of Christian charity which, being merely remedial in physical matters, begins by renunciation and looks to spiritual freedom and peace.
Protestantism was therefore attached from the first to the Old Testament, in which Hebrew fervour appears in its worldly and pre-rational form. It is not democratic in the same sense as post-rational religions, which see in the soul an exile from some other sphere wearing for the moment, perhaps, a beggar’s disguise: it is democratic only in the sense of having a popular origin and bending easily to popular forces. Swayed as it is by public opinion, it is necessarily conventional in its conception of duty and earnestly materialistic; for the meaning of the word vanity never crosses the vulgar heart. In fine, it is the religion of a race young, wistful, and adventurous, feeling its latent potentialities, vaguely assured of an earthly vocation, and possessing, like the barbarian and the healthy child, pure but unchastened energies. Thus in the Protestant religion the faith natural to barbarism appears clothed, by force of historical accident, in the language of an adapted Christianity.
Obstacles to humanism.