REASON IN ART
THE BASIS OF ART IN INSTINCT AND EXPERIENCE
Man affects his environment, sometimes to good purpose.—Art is plastic instinct conscious of its aims.—It is automatic.—So are the ideas it expresses.—We are said to control whatever obeys us.—Utility is a result.—The useful naturally stable.—Intelligence is docility.—Art is reason propagating itself.—Beauty an incident in rational art, inseparable from the others. Pages [3]-[17]
RATIONALITY OF INDUSTRIAL ART
Utility is ultimately ideal.—Work wasted and chances missed.—Ideals must be interpreted, not prescribed.—The aim of industry is to live well.—Some arts, but no men, are slaves by nature.—Servile arts may grow spontaneous or their products may be renounced.—Art starts from two potentialities: its material and its problem.—Each must be definite and congruous with the other.—A sophism exposed.—Industry prepares matter for the liberal arts.—Each partakes of the other. Pages [18]-[33]
EMERGENCE OF FINE ART
Art is spontaneous action made stable by success.—It combines utility and automatism.—Automatism fundamental and irresponsible.—It is tamed by contact with the world.—The dance.—Functions of gesture.—Automatic music. Pages [34]-[43]