Reason is as old as man and as prevalent as human nature; for we should not recognise an animal to be human unless his instincts were to some degree conscious of their ends and rendered his ideas in that measure relevant to conduct. Many sensations, or even a whole world of dreams, do not amount to intelligence until the images in the mind begin to represent in some way, however symbolic, the forces and realities confronted in action. There may well be intense consciousness in the total absence of rationality. Such consciousness is suggested in dreams, in madness, and may be found, for all we know, in the depths of universal nature. Minds peopled only by desultory visions and lusts would not have the dignity of human souls even if they seemed to pursue certain objects unerringly; for that pursuit would not be illumined by any vision of its goal. Reason and humanity begin with the union of instinct and ideation, when instinct becomes enlightened, establishes values in its objects, and is turned from a process into an art, while at the same time consciousness becomes practical and cognitive, beginning to contain some symbol or record of the co-ordinate realities among which it arises.
Reason accordingly requires the fusion of two types of life, commonly led in the world in well-nigh total separation, one a life of impulse expressed in affairs and social passions, the other a life of reflection expressed in religion, science, and the imitative arts. In the Life of Reason, if it were brought to perfection, intelligence would be at once the universal method of practice and its continual reward. All reflection would then be applicable in action and all action fruitful in happiness. Though this be an ideal, yet everyone gives it from time to time a partial embodiment when he practises useful arts, when his passions happily lead him to enlightenment, or when his fancy breeds visions pertinent to his ultimate good. Everyone leads the Life of Reason in so far as he finds a steady light behind the world’s glitter and a clear residuum of joy beneath pleasure or success. No experience not to be repented of falls without its sphere. Every solution to a doubt, in so far as it is not a new error, every practical achievement not neutralised by a second maladjustment consequent upon it, every consolation not the seed of another greater sorrow, may be gathered together and built into this edifice. The Life of Reason is the happy marriage of two elements—impulse and ideation—which if wholly divorced would reduce man to a brute or to a maniac. The rational animal is generated by the union of these two monsters. He is constituted by ideas which have ceased to be visionary and actions which have ceased to be vain.
It is the sum of Art.
Thus the Life of Reason is another name for what, in the widest sense of the word, might be called Art. Operations become arts when their purpose is conscious and their method teachable. In perfect art the whole idea is creative and exists only to be embodied, while every part of the product is rational and gives delightful expression to that idea. Like art, again, the Life of Reason is not a power but a result, the spontaneous expression of liberal genius in a favouring environment. Both art and reason have natural sources and meet with natural checks; but when a process is turned successfully into an art, so that its issues have value and the ideas that accompany it become practical and cognitive, reflection, finding little that it cannot in some way justify and understand, begins to boast that it directs and has created the world in which it finds itself so much at home. Thus if art could extend its sphere to include every activity in nature, reason, being everywhere exemplified, might easily think itself omnipotent. This ideal, far as it is from actual realisation, has so dazzled men, that in their religion and mythical philosophy they have often spoken as if it were already actual and efficient. This anticipation amounts, when taken seriously, to a confusion of purposes with facts and of functions with causes, a confusion which in the interests of wisdom and progress it is important to avoid; but these speculative fables, when we take them for what they are—poetic expressions of the ideal—help us to see how deeply rooted this ideal is in man’s mind, and afford us a standard by which to measure his approaches to the rational perfection of which he dreams. For the Life of Reason, being the sphere of all human art, is man’s imitation of divinity.
It has a natural basis which makes it definable.
To study such an ideal, dimly expressed though it be in human existence, is no prophetic or visionary undertaking. Every genuine ideal has a natural basis; anyone may understand and safely interpret it who is attentive to the life from which it springs. To decipher the Life of Reason nothing is needed but an analytic spirit and a judicious love of man, a love quick to distinguish success from failure in his great and confused experiment of living. The historian of reason should not be a romantic poet, vibrating impotently to every impulse he finds afoot, without a criterion of excellence or a vision of perfection. Ideals are free, but they are neither more numerous nor more variable than the living natures that generate them. Ideals are legitimate, and each initially envisages a genuine and innocent good; but they are not realisable together, nor even singly when they have no deep roots in the world. Neither is the philosopher compelled by his somewhat judicial office to be a satirist or censor, without sympathy for those tentative and ingenuous passions out of which, after all, his own standards must arise. He is the chronicler of human progress, and to measure that progress he should be equally attentive to the impulses that give it direction and to the circumstances amid which it stumbles toward its natural goal.
Modern philosophy not helpful.
There is unfortunately no school of modern philosophy to which a critique of human progress can well be attached. Almost every school, indeed, can furnish something useful to the critic, sometimes a physical theory, sometimes a piece of logical analysis. We shall need to borrow from current science and speculation the picture they draw of man’s conditions and environment, his history and mental habits. These may furnish a theatre and properties for our drama; but they offer no hint of its plot and meaning. A great imaginative apathy has fallen on the mind. One-half the learned world is amused in tinkering obsolete armour, as Don Quixote did his helmet; deputing it, after a series of catastrophes, to be at last sound and invulnerable. The other half, the naturalists who have studied psychology and evolution, look at life from the outside, and the processes of Nature make them forget her uses. Bacon indeed had prized science for adding to the comforts of life, a function still commemorated by positivists in their eloquent moments. Habitually, however, when they utter the word progress it is, in their mouths, a synonym for inevitable change, or at best for change in that direction which they conceive to be on the whole predominant. If they combine with physical speculation some elements of morals, these are usually purely formal, to the effect that happiness is to be pursued (probably, alas! because to do so is a psychological law); but what happiness consists in we gather only from casual observations or by putting together their national prejudices and party saws.
Positivism no positive ideal.
The truth is that even this radical school, emancipated as it thinks itself, is suffering from the after-effects of supernaturalism. Like children escaped from school, they find their whole happiness in freedom. They are proud of what they have rejected, as if a great wit were required to do so; but they do not know what they want. If you astonish them by demanding what is their positive ideal, further than that there should be a great many people and that they should be all alike, they will say at first that what ought to be is obvious, and later they will submit the matter to a majority vote. They have discarded the machinery in which their ancestors embodied the ideal; they have not perceived that those symbols stood for the Life of Reason and gave fantastic and embarrassed expression to what, in itself, is pure humanity; and they have thus remained entangled in the colossal error that ideals are something adventitious and unmeaning, not having a soil in mortal life nor a possible fulfilment there.