It is extremely unfortunate that the legend of the Creation in days has reached us in so fragmentary a condition. It is evident, however, that in its present form it is of Assyrian, not of Babylonian, origin, and was probably composed in the time of Assur-bani-pal. It breathes throughout the spirit of a later age, its language and style show no traces of an Accadian original, and the colophon at the end implies by its silence that it was not a copy of an older document. No doubt the story itself was an ancient one; the number seven was a sacred number among the Accadians, who invented the week of seven days, and kept a seventhday Sabbath, and excavations in Babylonia may yet bring to light the early Chaldean form of the legend. But this we do not at present possess.

So far as the fragments can be arranged, they seem to observe the following order:—

These fragments indicate that the series included at least seven tablets, the writing on each tablet being in one column on the front and back, and probably including over one hundred lines of text.

The first fragment in the story is the upper part of the first tablet, giving the description of the void or chaos, and part of the generation of the gods. The translation is as follows:

On the reverse of this tablet there are only fragments of the eight lines of colophon, but the restoration of the passage is easy; it reads:—

This colophon will serve to show the value attached to the documents, and the date of the present copies.

The fragment of the obverse, broken as it is, is precious as giving the description of the chaos or desolate void before the Creation of the world, and the first movement of creation. This corresponds with the first two verses of the first chapter of Genesis.