Allusion is made in this hymn, it will be noticed, to a fabulous serpent with seven heads, which beats the sea into waves. This serpent was originally identical with the dragon of the deep, combated by Merodach, as we shall learn from a fragment to be translated hereafter, that is to say with the principle of chaos and darkness, called Mummu Tiamtu, “the chaos of the deep,” in the account of the creation. It is also described as “the serpent of night,” “the serpent of darkness,” “the wicked serpent,” and “the mightily strong serpent,” epithets which show that it was on the one hand the embodiment of moral evil, and on the other was primitively nothing more than the darkness destroyed by the sun, the bright power of day. It is difficult not to compare the serpent of Genesis with this serpent of Babylonian mythology. No Chaldean legend of the Fall has as yet been found, but when we remember how few Chaldean legends have been discovered, and that even for these we are dependent on the selection and copies of Assyrian scribes, we need not be surprised that such should be the case. The Babylonian colouring of the history in Genesis, the fact that the rivers of Paradise are Babylonian rivers, and that the tree of life was familiar to Babylonian art and tradition, make it probable that we shall yet discover the Chaldean version of the Fall of Man as soon as the libraries of Babylonia have been explored. Indeed, this is made almost certain by the existence of an early Babylonian seal, now in the British Museum, on which a tree is represented with a human figure seated on either side of it, with the hands stretched out towards the fruit, and a serpent standing erect behind one of them. We know that the devices on these early seals were taken from the popular legends and myths. It must be admitted, however, that the two figures seem both to be males.
But if references to the Fall are few and obscure, there can be no doubt that the Sabbath was an Accadian institution, intimately connected with the worship of the seven planets. The astronomical tablets have shown that the seven-day week was of Accadian origin, each day of it being dedicated to the sun, moon, and five planets, and the word Sabbath itself, under the form of Sabattu, was known to the Assyrians, and explained by them as “a day of rest for the heart.” A calendar of Saint’s days for the month of the intercalary Elul makes the 7th, 14th, 19th, 21st, and 28th days of the lunar month Sabbaths on which no work was allowed to be done. The Accadian words by which the idea of Sabbath is denoted, literally mean, “a day on which work is unlawful,” and are interpreted in the bilingual tablets as signifying “a day of peace” or “completion of labours.” The calendar lays down the following injunctions to the king for each of these sabbaths:—
A Sabbath: the prince of many nations the flesh of animals and cooked food may not eat.
The garments of his body he may not change. White robes he may not put on.
Sacrifice he may not offer. The king may not ride in his chariot.
In royal fashion he may not legislate. A review of the army the general may not hold.
Medicine for his sickness of body he may not apply.
Merodach attacking the Serpent, on an Assyrian Cylinder, in the Possession of Dr. S. Wells Williams, Newhaven.
The antiquity of this text is evident not only from the fact that it has been translated from an Accadian original, but also from the word rendered “prince,” which literally means “a shepherd,” and takes us back to the early times when the Accadian monarchs still remembered that their predecessors had been only shepherd-chieftains.