Achilles, the embodiment of power and passion, just touched with human ruth; Hector, the selfless, brave and gentle champion; Odysseus, victor in the long pilgrimage by fortitude and by wisdom,—these are the three ideal types of the early world, portrayed by its noblest genius.
The Iliad culminates in the triumph of pity. The heart of Zeus is melted, the harder heart of Achilles is melted, before the sorrows of bereaved old age. An exquisite gentleness breathes through the closing scenes. All the wrath and terror and savagery of the story have led up to this height of pure compassion. A new light falls on all that has gone before. Achilles, the fierce hero of the earlier story, is outshone by his victim, Hector of the great and gentle heart. The crowning word of praise, after father, mother, wife have uttered their lament, is spoken by the frail woman whose sin had brought ruin on Hector and his people: "If any other haply upbraided me in the palace halls, then wouldst thou soothe such with words, and refrain them by the gentleness of thy spirit and by thy gentle words. Therefore bewail I thee with pain at heart, and my hapless self with thee, for no more is any left in wide Troy-land to be my friend and kind to me, but all men shudder at me."
We see the sin of man and woman wrecking nations and leaving the sinner in dreary isolation. We see unrelenting wrath, even when provoked by wrong, spreading woe upon the innocent, and at last smiting the wrathful man through his dearest affections. We see the heroism which meets death in defense of the beloved, yet has only tender pity for her who has wrought the ruin.
The Iliad is mostly war,—men acting hell on earth, as Goethe said. But in the Odyssey the goal of the hero is his home. The magnet is not Helen's beauty, but Penelope's faithfulness. Odysseus, mighty warrior, crafty leader,—who with his sword has smitten the Trojans, by his wiles destroyed their city,—Odysseus is driven for ten years through hostile seas and men and gods by the compelling passion of home-sickness!
In the Odyssey, it is the battle with the sea which does most to toughen and supple and make indomitable. The soldier and sailor are the pioneers of the race. These and the tiller of the earth are the strong roots out of which are to grow the flower and fruit.
In the Iliad, woman appears in Helen as the tempting prize and the gage of battle, and in Andromeda as the tender wife foredoomed to bereavement and captivity. In the Odyssey, woman plays a higher part—as Penelope, faithful and prudent and patient wife, fit spouse for Odysseus; as Eurydice, the devoted old nurse; and as Nausicaa, loveliest of pristine maidens.
"The story of her worth shall never die; but for all humankind immortal ones shall make a gladsome song in praise of steadfast Penelope." It is a noble story: the fidelity of a wife, the undaunted courage of a man; a long battle with adversity, crowned with the joy of love's reunion; the meeting with servant, nurse, dog, son, wife, father.
Odysseus fights his battle as every hero must,—against hostile nature and man,—by courage and patience and craft, and a confidence that the heavenly power will somehow bring him through.
So at the heart of the Iliad and the Odyssey is an austere and sweet message. The singers who embodied it in tales which stir every pulse with delight were among the supreme teachers of mankind. The inner meaning of humanity's story which their songs display is still the lesson set us,—out of adversity man may win fortitude; through battle, shipwreck, and overthrow he scales the heights of manhood; and the faithful pilgrimage ends in a home which is dearer for all troubles past.
The Homeric poems show man in his first full awaking to beauty and to music. They show more. The fashioning of the supernal world in man's mind varies with people and with time. Here it is Zeus and Hades, again it will be Jehovah and Satan, and then Heaven and Hell. But in the Iliad and Odyssey the human heart recognizes its rightful lords as long as it shall endure,—Courage and Pity, Fortitude and Fidelity.