Now it will be remembered that the smaller pan was of 4 inches less diameter than the larger one; there will consequently be a circular space two inches all round between the circumferences of the pans. Consequently the rim of the upper or covering pan will be about 2 inches lower than the rim of the lower pan; there will also be some 4 inches space horizontally between the rim of the large lower pan and that portion of the smaller pan which is at the same height as the rim of the larger one. This space is carefully filled with a clay luting into which some holes, generally about four in number, are pierced, extending down to the rim of the smaller pan or cover; this is done in order to allow the heated air and other matters to escape.

All the pans in one furnace chamber being thus charged and covered, the fires are lighted. The flames from the charcoal should occasionally play several feet above the mouths of the furnaces. The door of the chamber is kept closed, except when it is open for a moment in order to enable the workmen to replenish the fires, which must be kept up at a fierce heat for eighteen hours. During this process a blue lambent flame is seen to play above each of the four holes which are pierced through the clay luting of the pans, so it is evident that a considerable quantity of either one or probably both the ingredients is wasted. After eighteen hours the fires are allowed to go out, and the contents of the pan cool down.

When this is accomplished, the greater portion of the vermilion will be found adhering to the lower surface of the broken-up porcelain plates with which the crude product is covered. The vermilion is then carefully removed from the porcelain by means of chisels, and is now ready for the elutriating mills. Another portion of vermilion of not so good quality is found adhering to the upper iron pan, and that obtained by washing the clay luting in a cradle, as diggers wash dirt for gold. This, together with the wipings and scrapings generally, is mixed up with alum and glue-water into cakes, and, after drying on a brick surface heated beneath by means of wood or charcoal, is powdered up on a mortar, and re-sublimed when a sufficient quantity has accumulated.

The vermilion which was removed from the porcelain plates is of a blood-red colour and crystalline structure. This is then powdered up in a mortar and removed to the levigating mills. These are the ordinary little horizontal stone mills used by Chinese and other natives of the East to grind rice and other grain into flour or pulp, as the case may be. Each stone is about 2½ feet in diameter; the lower stone is stationary, the upper is turned by a direct-acting piece of wood having a hole in it which works a wooden peg affixed to the upper stone, which is made to revolve by a backward and forward movement of the piece of wood, or handle, some 3 or 4 feet long, previously mentioned. One man turns each mill. The upper stone has a small hole in it near its centre, down which the workman from time to time pours a little spoonful of the powdered vermilion, which he washes down into the mill with water; as he turns the mill, the workman keeps continually ladling little spoonfuls of water down the aperture or hole in the upper stone; the ground and thus elutriated vermilion, as it escapes from between the stones, is washed down by the water into a vessel placed beneath to receive it.

When work is suspended for the evening, the ground vermilion is carefully stirred up with a solution of glue and alum in water, in the proportion of about an ounce of each to the gallon. The glue has been made to mix with the water by previously heating it with a small quantity of water; the earthen pots in which this process is effected each hold about 6 gallons. The mixture is then left to settle. In the following morning the mixture of glue and alum is poured off the vermilion, and the upper portion of the cake of vermilion at the bottom of the vessel—that is, the portion which remained longest suspended in the liquid—will be found to be in a much finer state of subdivision than the lower portion, which requires to be again elutriated as on the previous day: this separation of the more finely divided vermilion from that which was coarser, by suspension in a dense medium, is a really most ingenious process, for which we should give the Chinaman every credit.

The process of grinding, elutriation, and separation of the coarsely ground from the fine vermilion, sometimes requires to be several times repeated, in order to fully bring out the colour. As a final process the damp cake of finely ground vermilion is stirred up with clean water, and allowed to settle down until the next morning, when the water is carefully poured off into large wooden vats to still further deposit a small quantity of vermilion yet remaining in suspension, and the vermilion is dried in the open air on the roof of the premises.

When quite dried, the cakes of now full-coloured pigment are carefully powdered, and sifted by means of square muslin-bottomed sieves, contained in a covered box some 2 feet high by 2½ wide, in which the sieves, which slide on a framework inside the box, are jerked backwards and forwards by means of a handle on the outside of the box or case containing them.

The now fully-prepared vermilion is removed to the packing house, where may be seen rows of workmen, men and boys, seated before a series of tables. Between every two workmen is a third, with a small pair of scales, which he holds in his left hand; and as the workmen on either side place before him the little pieces of paper in which the vermilion is to be wrapped up, he weighs into each paper one tael (about an ounce and a third avoirdupois) weight of vermilion; the papers are two in number, the inner a black or prepared paper, and the outer a piece of ordinary white paper. After being wrapped up, the packets are placed in rows before another workman, who stamps them with a seal containing in Chinese characters the name and address of the manufactory in which the article has been made, and the quantity and quality of vermilion contained in the packet.

The rapidity and deftness of the Chinese workmen at this employment is really surprising; the stamping, for instance, is effected at the average rate of sixty impressions per minute, and the wrapping up is carried on with proportionate rapidity. The mixture of alum, which is the ordinary aluminium potassium sulphate, with the vermilion, in one of its stages of manufacture as described above, is not added, as at first sight we thought it might be, merely to assist in clarifying or purifying the water by causing it to deposit its sediment, but seems to have some peculiar effect upon the colour, although what may be the rationale of the process, or how it acts, we cannot quite clearly see. The glue is added as described above merely to favour separation of the finely elutriated vermilion by holding it longer in suspension than the coarser particles, which sink first, and may therefore be separated in their order of stratification.

The actual composition of vermilion is 100 parts of mercury to 16 of sulphur, when both these ingredients are in a perfectly pure state; the excess of 5⅓ lb. of sulphur added by the Chinese is probably volatilised and lost in the process of sublimation, or, as the sulphur used is generally not quite pure, a part may go for foreign matter contained in the sulphur; the balance being probably the raison d’être of the blue lambent flame seen playing over the apertures in the luting during the sublimation process. For a people having, like the Chinese, no acquaintance with even the first rudiments of chemistry, the proportion of ingredients taken—56¼ catties to 13 catties, or say 75 lb. to 17⅓ lb.—shows wonderfully accurate powers of observation and a knowledge of combining proportions only to be gained by much experience and a long extended series of careful observations highly creditable to the manufacturers. The entire process is one of the most ingenious and interesting to be seen in any part of the world.—(T. I. B.)