I have thus, very briefly, given the extent of my experience with reference to the old Leverett Street Jail. Unlawful ladies and gentlemen are now accommodated in an elegant establishment in Cambridge street, for the old Jail has been levelled to the ground to make room for "modern improvements."—I visited it just before the commencement of its destruction, and gazed at my old apartment "more in sorrow than in anger." There were my name and a few verses, which I had written upon the wall. There was the rude table, upon which I had penned two novels, which, from their tone, seem rather to have emanated from a gilded boudoir. There, too, in the grated window, was a little flower-pot in which I had cultivated a solitary plant. That poor plant had withered and died long ago, for the prisoners who succeeded me probably had no taste for such "trash." I took and carefully preserved the dead remains of my floral favorite—"for," said I to myself—"they will serve to remind me of a dark spot in my existence."
And now, with the reader's permission, I will turn to matters of a more cheerful character.
FOOTNOTES:
[M] I allude to Mr. W.G. Jones, now deceased.
CHAPTER XI
"The Uncles and Nephews."
Ring up the curtain! Room there for the Boston Players. Let them approach our presence, not as they appear upon the stage, in rouge, and spangles, and wigs, and calves and cotton pad; but as they look in broad daylight, or in the bar-room when the play is over, arrayed in garments of a modern date, wearing their own personal faces, swearing their own private oaths, and drinking real malt out of honest pewter, instead of imbibing dusty atmosphere from pasteboard goblets. Room, I say!
There is an intimate connection between the press and the stage, that is a congeniality of character, habit, taste, feeling and disposition, between the writer and the actor. The press and the stage are, in a measure, dependent on each other. The newspaper looks to the theatre for light, racy and readable items, with which to adorn its columns, like festoons of flowers gracefully hung around columns of marble. The theatre looks to the newspaper for impartial criticisms and laudatory notices. Show me a convivial party of actors, and I will swear there are at least two or three professional writers among them. I know many actors who are practical printers, fellows who can wield a composing-stick as deftly as a fighting sword. Long life and prosperity to the whole of them, say I; and bless them for a careless, happy, pleasure-loving, bill-hating and beer-imbibing race of men. Amen.
There is one point of resemblance between the hero of the sock and buskin and the Knight of the quill. The former dresses up his person and adopts the language of another, in order to represent a certain character; the latter clothes his ideas in an appropriate garb of words, and puts sentiments in the mouths of his characters which are not always his own. But I was speaking of the Boston Players.