| CHAPTER VII. |
| Theatre in the Time of Charles the Fifth, and during the First Part of the Reign of Philip the Second. |
| [Drama opposed by the Church] | 3 |
| [Inquisition interferes] | 4 |
| [Religious Dramas continued] | 4 |
| [Secular Plays, Castillejo, Oliva] | 5 |
| [Juan de Paris] | 6 |
| [Jaume de Huete] | 8 |
| [Agostin Ortiz] | 9 |
| [Popular Drama attempted] | 9 |
| [Lope de Rueda] | 9 |
| [His Four Comedias] | 11 |
| [His Two Pastoral Colloquies] | 13 |
| [His Ten Pasos] | 16 |
| [His Two Dialogues in Verse] | 17 |
| [His insufficient Apparatus] | 18 |
| [He begins the Popular Drama] | 19 |
| [Juan de Timoneda] | 20 |
| [His Cornelia] | 21 |
| [His Menennos] | 21 |
| [His Blind Beggars] | 22 |
| CHAPTER VIII. |
| Theatre, continued. |
| [Followers of Lope de Rueda] | 25 |
| [Alonso de la Vega, Cisneros] | 25 |
| [Attempts at Seville] | 26 |
| [Juan de la Cueva] | 26 |
| [Romero de Zepeda] | 27 |
| [Attempts at Valencia] | 28 |
| [Cristóval de Virues] | 28 |
| [Translations from the Ancients] | 30 |
| [Villalobos, Oliva] | 30 |
| [Boscan, Abril] | 30 |
| [Gerónimo Bermudez] | 30 |
| [Lupercio de Argensola] | 32 |
| [Spanish Drama to this Time] | 34 |
| [The Attempts to form it few] | 35 |
| [The Apparatus imperfect] | 36 |
| [Connection with the Hospitals] | 37 |
| [Court-yards in Madrid] | 37 |
| [Dramas have no uniform Character] | 37 |
| [A National Drama demanded] | 39 |
| CHAPTER IX. |
| Luis de Leon. |
| [Religious Element in Spanish Literature] | 40 |
| [Luis de Leon] | 40 |
| [His Birth and Training] | 40 |
| [Professor at Salamanca] | 41 |
| [His Version of Solomon’s Song] | 41 |
| [His Persecution for it] | 42 |
| [His Names of Christ] | 43 |
| [His Perfect Wife] | 45 |
| [His Exposition of Job] | 45 |
| [His Death] | 46 |
| [His Poetry] | 47 |
| [His Translations] | 48 |
| [His Original Poetry] | 49 |
| [His Character] | 51 |
| CHAPTER X. |
| Miguel de Cervantes Saavedra. |
| [His Family] | 52 |
| [His Birth] | 53 |
| [His Education] | 54 |
| [His first published Verses] | 54 |
| [Goes to Italy] | 55 |
| [Becomes a Soldier] | 55 |
| [Fights at Lepanto] | 56 |
| [And at Tunis] | 57 |
| [Is captured at Sea] | 57 |
| [Is a Slave at Algiers] | 57 |
| [His cruel Captivity] | 58 |
| [His Release] | 59 |
| [Serves in Portugal] | 61 |
| [His Galatea] | 61 |
| [His Marriage] | 64 |
| [His Literary Friends] | 65 |
| [His First Dramas] | 65 |
| [His Trato de Argel] | 67 |
| [His Numantia] | 70 |
| [Character of these Dramas] | 77 |
| CHAPTER XI. |
| Cervantes, continued. |
| [He goes to Seville] | 77 |
| [His Life there] | 78 |
| [Asks Employment in America] | 78 |
| [Short Poems] | 79 |
| [Tradition from La Mancha] | 80 |
| [He goes to Valladolid] | 81 |
| [First Part of Don Quixote] | 82 |
| [He goes to Madrid] | 82 |
| [Relations with Poets there] | 82 |
| [With Lope de Vega] | 82 |
| [His Novelas] | 84 |
| [His Viage al Parnaso] | 88 |
| [His Adjunta] | 89 |
| [His Eight Comedias] | 90 |
| [His Eight Entremeses] | 94 |
| [Second Part of Don Quixote] | 97 |
| [His Sickness] | 98 |
| [His Death] | 99 |
| CHAPTER XII. |
| Cervantes, concluded. |
| [His Persiles y Sigismunda] | 100 |
| [His Don Quixote, First Part] | 103 |
| [His Purpose in writing it] | 104 |
| [Passion for Romances of Chivalry] | 105 |
| [He destroys it] | 107 |
| [Character of the First Part] | 108 |
| [Avellaneda’s Second Part] | 109 |
| [Its Character] | 110 |
| [Cervantes’s Satire on it] | 111 |
| [His own Second Part] | 112 |
| [Its Character] | 113 |
| [Don Quixote and Sancho] | 114 |
| [Blemishes in the Don Quixote] | 116 |
| [Its Merits and Fame] | 118 |
| [Claims of Cervantes] | 119 |
| CHAPTER XIII. |
| Lope Felix de Vega Carpio. |
| [His Birth] | 120 |
| [His Education] | 121 |
| [A Soldier] | 123 |
| [Patronized by Manrique] | 123 |
| [Bachelor at Alcalá] | 123 |
| [His Dorothea] | 124 |
| [Secretary to Alva] | 124 |
| [His Arcadia] | 125 |
| [Marries] | 127 |
| [Is exiled for a Duel] | 127 |
| [Life at Valencia] | 128 |
| [Death of his Wife] | 128 |
| [Establishes himself at Madrid] | 128 |
| [Serves in the Armada] | 129 |
| [Marries again] | 131 |
| [His Children] | 132 |
| [Death of his Sons] | 132 |
| [Death of his Wife] | 132 |
| [Becomes a Priest] | 133 |
| [His Poem of San Isidro] | 134 |
| [His Hermosura de Angélica] | 137 |
| [His Dragontea] | 140 |
| [His Peregrino en su Patria] | 142 |
| [His Jerusalen Conquistada] | 143 |
| CHAPTER XIV. |
| Lope de Vega, continued. |
| [His Relations with the Church] | 146 |
| [His Pastores de Belen] | 146 |
| [Various Works] | 148 |
| [Beatification of San Isidro] | 149 |
| [Canonization of San Isidro] | 153 |
| [Tomé de Burguillos] | 154 |
| [His Gatomachia] | 154 |
| [Various Works] | 155 |
| [His Novelas] | 156 |
| [He acts as an Inquisitor] | 157 |
| [His Religious Poetry] | 158 |
| [His Corona Trágica] | 159 |
| [His Laurel de Apolo] | 160 |
| [His Dorotea] | 160 |
| [His Last Works] | 161 |
| [His Illness and Death] | 162 |
| [His Burial] | 162 |
| CHAPTER XV. |
| Lope de Vega, continued. |
| [His Miscellaneous Works] | 164 |
| [Their Character] | 165 |
| [His earliest Dramas] | 166 |
| [At Valencia] | 167 |
| [State of the Theatre] | 168 |
| [El Verdadero Amante] | 169 |
| [El Pastoral de Jacinto] | 169 |
| [His Moral Plays] | 170 |
| [The Soul’s Voyage] | 171 |
| [The Prodigal Son] | 172 |
| [The Marriage of the Soul] | 173 |
| [The Theatre at Madrid] | 174 |
| [His published Dramas] | 175 |
| [Their great Number] | 175 |
| [His Dramatic Foundation] | 177 |
| [Varieties in his Plays] | 178 |
| [Comedias de Capa y Espada] | 179 |
| [Their Character] | 179 |
| [Their Number] | 180 |
| [El Azero de Madrid] | 181 |
| [La Noche de San Juan] | 184 |
| [Festival of the Count Duke] | 184 |
| [La Boba para los Otros] | 189 |
| [El Premio del Bien Hablar] | 190 |
| [Various Plays] | 190 |
| CHAPTER XVI. |
| Lope de Vega, continued. |
| [Comedias Heróicas] | 192 |
| [Roma Abrasada] | 193 |
| [El Príncipe Perfeto] | 195 |
| [El Nuevo Mundo] | 199 |
| [El Castigo sin Venganza] | 202 |
| [La Estrella de Sevilla] | 205 |
| [National Subjects] | 206 |
| [Various Plays] | 207 |
| [Character of the Heroic Drama] | 207 |
| CHAPTER XVII. |
| Lope de Vega, continued. |
| [Dramas on Common Life] | 210 |
| [El Cuerdo en su Casa] | 211 |
| [La Donzella Teodor] | 212 |
| [Cautivos de Argel] | 214 |
| [Three Classes of Secular Plays] | 215 |
| [The Influence of the Church] | 216 |
| [Religious Plays] | 217 |
| [Plays founded on the Bible] | 217 |
| [El Nacimiento de Christo] | 218 |
| [Other such Plays] | 221 |
| [Comedias de Santos] | 223 |
| [Several such Plays] | 224 |
| [San Isidro de Madrid] | 225 |
| [Autos Sacramentales] | 226 |
| [Festival of the Corpus Christi] | 227 |
| [Number of Lope’s Autos] | 229 |
| [Their Form] | 230 |
| [Their Loas] | 230 |
| [Their Entremeses] | 231 |
| [The Autos themselves] | 232 |
| [Lope’s Secular Entremeses] | 234 |
| [Popular Tone of his Drama] | 236 |
| [His Eclogues] | 237 |
| CHAPTER XVIII. |
| Lope de Vega, concluded. |
| [Variety in the Forms of his Dramas] | 239 |
| [Characteristics of all of them] | 239 |
| [Personages] | 240 |
| [Dialogue] | 240 |
| [Irregular Plots] | 240 |
| [History disregarded] | 241 |
| [Geography] | 242 |
| [Morals] | 242 |
| [Dramatized Novelle] | 243 |
| [Comic Underplot] | 243 |
| [Graciosos] | 244 |
| [Poetical Style] | 245 |
| [Various Measures] | 246 |
| [Ballad Poetry in them] | 247 |
| [Popular Air of every thing] | 249 |
| [His Success at home] | 249 |
| [His Success abroad] | 250 |
| [His large Income] | 251 |
| [Still he is poor] | 251 |
| [Great Amount of his Works] | 252 |
| [Spirit of Improvisation] | 250 |
| CHAPTER XIX. |
| Francisco de Quevedo y Villegas. |
| [Birth and Training] | 255 |
| [Exile] | 256 |
| [Public Service in Sicily] | 256 |
| [In Naples] | 257 |
| [Persecution at Home] | 257 |
| [Marries] | 257 |
| [Persecution again] | 258 |
| [His Sufferings and Death] | 259 |
| [Variety of his Works] | 259 |
| [Many suppressed] | 260 |
| [His Poetry] | 261 |
| [Its Characteristics] | 262 |
| [Cultismo] | 263 |
| [El Bachiller de la Torre] | 263 |
| [His Prose Works] | 267 |
| [Paul the Sharper] | 269 |
| [Various Tracts] | 269 |
| [The Knight of the Forceps] | 269 |
| [La Fortuna con Seso] | 270 |
| [Visions] | 271 |
| [Quevedo’s Character] | 274 |
| CHAPTER XX. |
| The Drama of Lope’s School. |
| [Madrid the Capital] | 276 |
| [Its Effect on the Drama] | 277 |
| [Damian de Vegas] | 277 |
| [Francisco de Tarrega] | 278 |
| [His Enemiga Favorable] | 279 |
| [Gaspar de Aguilar] | 280 |
| [His Mercader Amante] | 280 |
| [His Suerte sin Esperanza] | 281 |
| [Guillen de Castro] | 283 |
| [His Dramas] | 284 |
| [His Don Quixote] | 285 |
| [His Piedad y Justicia] | 285 |
| [His Santa Bárbara] | 286 |
| [His Mocedades del Cid] | 287 |
| [Corneille’s Cid] | 289 |
| [Other Plays of Guillen] | 292 |
| [Luis Vélez de Guevara] | 293 |
| [Mas pesa el Rey que la Sangre] | 294 |
| [Other Plays of Guevara] | 296 |
| [Juan Perez de Montalvan] | 297 |
| [His San Patricio] | 298 |
| [His Orfeo] | 299 |
| [His Dramas] | 300 |
| [His Amantes de Teruel] | 301 |
| [His Don Carlos] | 304 |
| [His Autos] | 305 |
| [His Theory of the Drama] | 306 |
| [His Success] | 307 |
| CHAPTER XXI. |
| Drama of Lope’s School, concluded. |
| [Tirso de Molina] | 308 |
| [His Dramas] | 308 |
| [His Burlador de Sevilla] | 309 |
| [His Vergonzoso en Palacio] | 312 |
| [His Theory of the Drama] | 314 |
| [Antonio Mira de Mescua] | 315 |
| [His Dramas and Poems] | 315 |
| [Joseph de Valdivielso] | 316 |
| [His Autos] | 317 |
| [His Religious Dramas] | 317 |
| [Antonio de Mendoza] | 318 |
| [Ruiz de Alarcon] | 319 |
| [His Dramas] | 320 |
| [His Texedor de Segovia] | 320 |
| [His Verdad Sospechosa] | 321 |
| [Other Plays] | 322 |
| [Belmonte, Cordero, Enriquez] | 323 |
| [Villaizan, Sanchez, Herrera] | 323 |
| [Barbadillo, Solorzano] | 324 |
| [Un Ingenio] | 325 |
| [El Diablo Predicador] | 325 |
| [Opposition to Lope’s School] | 327 |
| [By Men of Learning] | 328 |
| [By the Church] | 329 |
| [The Drama triumphs] | 331 |
| [Lope’s Fame] | 332 |
| CHAPTER XXII. |
| Pedro Calderon de la Barca. |
| [Birth and Family] | 333 |
| [Education] | 334 |
| [Festivals of San Isidro] | 335 |
| [Serves as a Soldier] | 336 |
| [Writes for the Stage] | 336 |
| [Patronized by Philip the Fourth] | 336 |
| [Rebellion in Catalonia] | 337 |
| [Controls the Theatre] | 337 |
| [Enters the Church] | 337 |
| [Less favored by Charles the Second] | 338 |
| [Death and Burial] | 339 |
| [Person and Character] | 340 |
| [His Works] | 341 |
| [His Dramas] | 342 |
| [Many falsely ascribed to him] | 342 |
| [Their Number] | 343 |
| [His Autos Sacramentales] | 344 |
| [Feast of the Corpus Christi] | 345 |
| [His different Autos] | 347 |
| [His Divino Orfeo] | 348 |
| [Popularity of his Autos] | 350 |
| [His Religious Plays] | 351 |
| [Troubles with the Church] | 351 |
| [Ecclesiastics write Plays] | 352 |
| [Calderon’s San Patricio] | 353 |
| [His Devocion de la Cruz] | 355 |
| [His Mágico Prodigioso] | 355 |
| [Other similar Plays] | 358 |
| CHAPTER XXIII. |
| Calderon, continued. |
| [Characteristics of his Drama] | 360 |
| [Trusts to the Story] | 361 |
| [Sacrifices much to it] | 362 |
| [Dramatic Interest strong] | 363 |
| [Love, Jealousy, and Honor] | 364 |
| [Amar despues de la Muerte] | 364 |
| [El Médico de su Honra] | 368 |
| [El Pintor de su Deshonra] | 371 |
| [El Mayor Monstruo los Zelos] | 371 |
| [El Príncipe Constante] | 376 |
| CHAPTER XXIV. |
| Calderon, concluded. |
| [Comedias de Capa y Espada] | 381 |
| [Antes que todo es mi Dama] | 382 |
| [La Dama Duende] | 383 |
| [La Vanda y la Flor] | 385 |
| [Various Sources of Calderon’s Plots] | 389 |
| [Castilian Tone everywhere] | 389 |
| [Exaggerated Sense of Honor] | 391 |
| [Domestic Authority] | 392 |
| [Duels] | 393 |
| [Immoral Tendency of his Dramas] | 394 |
| [Attacked] | 394 |
| [Defended] | 394 |
| [Calderon’s courtly Tone] | 395 |
| [His Style and Versification] | 396 |
| [His long Success] | 397 |
| [Changes the Drama little] | 399 |
| [But gives it a lofty Tone] | 400 |
| [His Dramatic Character] | 401 |
| CHAPTER XXV. |
| Drama of Calderon’s School. |
| [Most Brilliant Period] | 403 |
| [Agustin Moreto] | 403 |
| [His Dramas] | 404 |
| [Figuron Plays] | 405 |
| [El Lindo Don Diego] | 405 |
| [El Desden con el Desden] | 406 |
| [Francisco de Roxas] | 408 |
| [His Dramas] | 408 |
| [Del Rey abaxo Ninguno] | 409 |
| [Several Authors to one Play] | 411 |
| [Alvaro Cubillo] | 412 |
| [Leyba and Cancer y Velasco] | 413 |
| [Enriquez Gomez] | 414 |
| [Sigler and Zabaleta] | 414 |
| [Fernando de Zarate] | 414 |
| [Miguel de Barrios] | 415 |
| [Diamante] | 416 |
| [Monroy, Monteser, Cuellar] | 417 |
| [Juan de la Hoz] | 417 |
| [Juan de Matos Fragoso] | 418 |
| [Sebastian de Villaviciosa] | 419 |
| [Antonio de Solís] | 420 |
| [Francisco Banzes Candamo] | 422 |
| [Zarzuelas] | 424 |
| [Opera at Madrid] | 425 |
| [Antonio de Zamora] | 426 |
| [Lanini, Martinez] | 427 |
| [Rosete, Villegas] | 427 |
| [Joseph de Cañizares] | 427 |
| [Decline of the Drama] | 428 |
| [Vera y Villarroel] | 429 |
| [Inez de la Cruz] | 429 |
| [Fernandez de Leon] | 429 |
| [Tellez de Azevedo] | 429 |
| [Old Drama of Lope and of Calderon] | 429 |
| CHAPTER XXVI. |
| Old Theatres. |
| [Nationality of the Drama] | 430 |
| [The Autor of a Company] | 431 |
| [Relations with the Dramatists] | 432 |
| [Actors, their Number] | 433 |
| [The most distinguished] | 434 |
| [Their Character and hard Life] | 435 |
| [Exhibitions in the Day-time] | 436 |
| [Poor Scenery and Properties] | 437 |
| [The Stage] | 437 |
| [The Audience] | 437 |
| [The Mosqueteros] | 437 |
| [The Gradas, and Cazuela] | 438 |
| [The Aposentos] | 438 |
| [Entrance-money] | 439 |
| [Rudeness of the Audiences] | 439 |
| [Honors to the Authors] | 440 |
| [Play-Bills] | 440 |
| [Titles of Plays] | 441 |
| [Representations] | 441 |
| [Loa] | 441 |
| [Ballad] | 441 |
| [First Jornada] | 443 |
| [First Entremes] | 444 |
| [Second Jornada and Entremes] | 445 |
| [Third Jornada and Saynete] | 445 |
| [Dancing] | 445 |
| [Ballads] | 446 |
| [Xacaras] | 446 |
| [Zarabandas] | 447 |
| [Popular Character of the Drama] | 448 |
| [Great Number of Authors] | 449 |
| [Royal Patronage] | 450 |
| [Great Number of Dramas] | 451 |
| [All National] | 452 |
| CHAPTER XXVII. |
| Historical and Narrative Poems. |
| [Old Epic Tendencies] | 454 |
| [Revived in the Time of Charles the Fifth] | 455 |
| [Hierónimo Sempere] | 455 |
| [Luis de Çapata] | 456 |
| [Diego Ximenez de Ayllon] | 457 |
| [Hippólito Sanz] | 457 |
| [Alfonso Fernandez] | 458 |
| [Espinosa and Coloma] | 458 |
| [Alonso de Ercilla] | 459 |
| [His Araucana] | 461 |
| [Diego de Osorio] | 464 |
| [Pedro de Oña] | 466 |
| [Gabriel Lasso de la Vega] | 467 |
| [Antonio de Saavedra] | 467 |
| [Juan de Castellanos] | 468 |
| [Centenera] | 469 |
| [Gaspar de Villagra] | 469 |
| [Religious Narrative Poems] | 470 |
| [Hernandez Blasco] | 470 |
| [Gabriel de Mata] | 470 |
| [Cristóval de Virues] | 470 |
| [His Monserrate] | 471 |
| [Nicolas Bravo] | 472 |
| [Joseph de Valdivielso] | 472 |
| [Diego de Hojeda] | 473 |
| [His Christiada] | 473 |
| [Alonso Diaz] | 474 |
| [Antonio de Escobar] | 474 |
| [Alonso de Azevedo] | 474 |
| [Rodriguez de Vargas] | 474 |
| [Jacobo Uziel] | 474 |
| [Sebastian de Nieva Calvo] | 474 |
| [Duran Vivas] | 474 |
| [Juan Dávila] | 474 |
| [Antonio Enriquez Gomez] | 474 |
| [Hernando Dominguez Camargo] | 474 |
| [Juan de Encisso y Monçon] | 474 |
| [Imaginative Epics] | 475 |
| [Orlando Furioso] | 476 |
| [Nicolas Espinosa] | 476 |
| [Abarca de Bolea] | 477 |
| [Garrido de Villena] | 477 |
| [Agostin Alonso] | 477 |
| [Luis Barahona de Soto] | 477 |
| [His Lágrimas de Angélica] | 478 |
| [Bernardo de Balbuena] | 479 |
| [His Bernardo] | 480 |
| CHAPTER XXVIII. |
| Historical and Narrative Poems, concluded. |
| [Subjects from Antiquity] | 481 |
| [Boscan, Mendoza, Silvestre] | 481 |
| [Montemayor, Villegas] | 481 |
| [Perez, Romero de Cepeda] | 482 |
| [Fábulas, Góngora] | 483 |
| [Villamediana, Pantaleon] | 483 |
| [Moncayo, Villalpando] | 483 |
| [Salazar] | 483 |
| [Miscellaneous Poems] | 483 |
| [Yague de Salas] | 484 |
| [Miguel de Silveira] | 485 |
| [Fr. Lopez de Zarate] | 486 |
| [Mock-heroic Poems] | 487 |
| [Cosmé de Aldana] | 487 |
| [Cintio Merctisso] | 488 |
| [Villaviciosa] | 489 |
| [Heroic Poems] | 491 |
| [Don John of Austria] | 491 |
| [Hierónimo de Cortereal] | 492 |
| [Juan Rufo] | 493 |
| [Pedro de la Vezilla] | 494 |
| [Miguel Giner] | 495 |
| [Duarte Diaz] | 495 |
| [Lorenzo de Zamora] | 495 |
| [Cristóval de Mesa] | 496 |
| [Juan de la Cueva] | 497 |
| [Alfonso Lopez, El Pinciano] | 498 |
| [Francisco Mosquera] | 499 |
| [Vasconcellos] | 499 |
| [Bernarda Ferreira] | 500 |
| [Antonio de Vera y Figueroa] | 501 |
| [Francisco de Borja] | 501 |
| [Rise of Heroic Poetry] | 502 |
| [Its Decline] | 503 |
| CHAPTER XXIX. |
| Lyric Poetry. |
| [Early Lyric Tendency] | 505 |
| [Italian School of Boscan] | 505 |
| [National School] | 506 |
| [Lomas de Cantorál] | 506 |
| [Francisco de Figueroa] | 507 |
| [Vicente Espinel] | 507 |
| [Montemayor] | 507 |
| [Barahona de Soto, Rufo] | 508 |
| [Vegas, Padilla] | 508 |
| [Lopez Maldonado] | 508 |
| [Fernando de Herrera] | 509 |
| [His Odes] | 511 |
| [His Castilian Style] | 513 |
| [Pedro Espinosa] | 515 |
| [His Flores de Poetas Ilustres] | 515 |
| [Rey de Artieda] | 516 |
| [Manoel de Portugal] | 516 |
| [Cristóval de Mesa] | 517 |
| [Francisco de Ocaña] | 517 |
| [Lope de Sosa] | 517 |
| [Alonso de Ledesma] | 517 |
| [The Conceptistas] | 518 |
| [Cultismo and its Causes] | 519 |
| [Luis de Góngora] | 521 |
| [His earlier Poetry] | 522 |
| [His later Poetry] | 523 |
| [His Extravagance] | 524 |
| [His Obscurity] | 524 |
| [His Commentators] | 525 |
| [His Followers] | 526 |
| [Count Villamediana] | 527 |
| [Felix de Arteaga] | 528 |
| [Roca y Serna] | 528 |
| [Antonio de Vega] | 529 |
| [Anastasio Pantaleon] | 529 |
| [Violante del Cielo] | 529 |
| [Manoel de Melo] | 529 |
| [Moncayo, La Torre] | 530 |
| [Vergara] | 530 |
| [Rozas, Ulloa] | 530 |
| [Salazar] | 530 |
| [Spread of Cultismo] | 531 |
| [Contest about it] | 532 |
| [Francisco de Medrano] | 533 |
| [Pedro Venegas] | 533 |
| [Baltasar de Alcazar] | 533 |
| [Arguijo] | 534 |
| [Antonio Balvas] | 534 |
| CHAPTER XXX. |
| Lyric Poetry, concluded. |
| [The Argensolas] | 536 |
| [Lupercio] | 536 |
| [Bartolomé] | 537 |
| [Their Poetry] | 538 |
| [Juan de Jauregui] | 539 |
| [His Orfeo] | 540 |
| [His Aminta] | 540 |
| [His Lyrical Poetry] | 541 |
| [Estévan Manuel de Villegas] | 542 |
| [Imitates Anacreon] | 543 |
| [Bernardo de Balbuena] | 544 |
| [Barbadillo, Polo, Rojas] | 544 |
| [Francisco de Rioja] | 545 |
| [Borja y Esquilache] | 546 |
| [Antonio de Mendoza] | 547 |
| [Bernardino de Rebolledo] | 548 |
| [Ribero, Quiros] | 549 |
| [Barrios, Lucio y Espinossa] | 549 |
| [Evia, Inez de la Cruz] | 549 |
| [Solís, Candamo, Marcante] | 549 |
| [Montoro, Negrete] | 549 |
| [Success of Lyric Poetry] | 550 |
| [Religious] | 550 |
| [Secular and Popular] | 550 |
| [Secular and more formal] | 551 |
| [Its General Character] | 552 |