| CHAPTER I. |
| Reign of Philip the Fifth. |
| [Death of Charles the Second] | 213 |
| [His Will] | 214 |
| [War of the Succession] | 214 |
| [Peace of Utrecht] | 214 |
| [Philip the Fifth] | 215 |
| [Academy of the Language] | 216 |
| [State of the Language] | 217 |
| [Dictionaries of the Language] | 219 |
| [Dictionary of the Academy] | 219 |
| [Its Orthography] | 220 |
| [Its Grammar] | 221 |
| [Its other Labors] | 223 |
| [Other Academies] | 223 |
| [State of Poetry] | 224 |
| [Moraes] | 225 |
| [Reynosa, Cevallos] | 226 |
| [Lobo, Benegasi] | 227 |
| [Alvarez de Toledo] | 228 |
| [Antonio Muñoz] | 228 |
| [Sagradas’s Flores] | 228 |
| [Jorge de Pitillas] | 229 |
| CHAPTER II. |
| Reign of Philip the Fifth, concluded. |
| [Marquis of San Phelipe] | 230 |
| [French Influences] | 232 |
| [Translations from the French] | 233 |
| [Ignacio de Luzan] | 233 |
| [Elder Works on Criticism] | 235 |
| [Enzina, Rengifo, Lopez] | 236 |
| [Cascales, Salas] | 236 |
| [Luzan’s Poética] | 237 |
| [State of the Moral and Physical Sciences] | 239 |
| [State of the Universities] | 240 |
| [Low State of Spanish Culture] | 240 |
| [Benito Feyjoó] | 242 |
| [His Teatro Crítico] | 244 |
| [His Cartas Eruditas] | 244 |
| [Effect of his Works] | 245 |
| CHAPTER III. |
| Reigns of Philip the Fifth and Ferdinand the Sixth. |
| [The Inquisition] | 246 |
| [Intolerance] | 247 |
| [Autos da Fé and Judaism] | 248 |
| [Culture under Ferdinand] | 249 |
| [The Inquisition] | 249 |
| [Policy of the State] | 250 |
| [Condition of Letters] | 250 |
| [Saldueña, Moraleja, Ortiz] | 250 |
| [Academy of Good Taste] | 251 |
| [Velazquez] | 251 |
| [Mayans y Siscar] | 252 |
| [Blas Nasarre] | 253 |
| CHAPTER IV. |
| Reign of Charles the Third. |
| [State of the Country] | 254 |
| [Character of the King] | 255 |
| [The Jesuits] | 256 |
| [The Universities] | 256 |
| [The Inquisition] | 257 |
| [Dawn of Better Things] | 258 |
| [Father Isla] | 258 |
| [His Juventud Triunfante] | 258 |
| [His Dia Grande] | 259 |
| [His Sermones] | 260 |
| [His Fray Gerundio] | 260 |
| [His Exile] | 264 |
| [His Cicero] | 265 |
| [His Translation of Gil Blas] | 266 |
| [Question of its Authorship] | 266 |
| [Efforts to restore the Old School] | 270 |
| [Sedano, Sanchez, Sarmiento] | 271 |
| [Efforts to encourage the French School] | 272 |
| [Moratin the Elder] | 272 |
| [Club of Men of Letters] | 274 |
| [Cadahalso] | 275 |
| [Yriarte] | 277 |
| [His Fables] | 279 |
| [Samaniego] | 280 |
| [His Fables] | 281 |
| [Arroyal, Montengon] | 282 |
| [Salas, Meras, Noroña] | 282 |
| CHAPTER V. |
| School of Salamanca and other Poets. — Reign of Charles the Fourth. |
| [State of Literary Parties] | 285 |
| [Melendez Valdes] | 285 |
| [His Works] | 287 |
| [His Exile and Death] | 291 |
| [Gonzalez] | 293 |
| [Forner] | 294 |
| [Iglesias] | 294 |
| [Cienfuegos] | 295 |
| [Jovellanos] | 297 |
| [Connected with Melendez] | 298 |
| [His Political Services] | 299 |
| [His Exiles] | 300 |
| [His Share in the Revolution] | 301 |
| [His Death] | 303 |
| [His Character] | 304 |
| [Muñoz] | 305 |
| [Escoiquiz] | 306 |
| [Moratin the Younger] | 307 |
| [His Relations to Godoy] | 308 |
| [Quintana] | 309 |
| CHAPTER VI. |
| The Theatre in the Eighteenth Century. |
| [Important Movement] | 312 |
| [Translations from the French] | 312 |
| [Cañizares, Torres, Lobo] | 313 |
| [Lower Classes rule] | 313 |
| [The old Court-yards] | 314 |
| [The new Theatres] | 314 |
| [The Opera] | 315 |
| [Castro, Añerbe, Montiano] | 316 |
| [The Virginia and Athaulpho] | 317 |
| [Translations from the French] | 318 |
| [The Petimetra of Moratin the Elder] | 318 |
| [His Hormesinda] | 319 |
| [His Guzman el Bueno] | 319 |
| [Cadahalso] | 319 |
| [Sebastian y Latre] | 320 |
| [Yriarte, Melendez] | 321 |
| [Ayala] | 321 |
| [Huerta] | 322 |
| [Jovellanos] | 323 |
| [Autos suppressed] | 324 |
| [Low State of the Theatre] | 325 |
| [Ramon de la Cruz] | 326 |
| [Sedano, Lassala, Cortés] | 329 |
| [Cienfuegos, Huerta] | 329 |
| [Discussions] | 330 |
| [Valladares, Zavala] | 331 |
| [Comella] | 332 |
| [Moratin the Younger] | 333 |
| [Patronized by Godoy] | 334 |
| [His first Play] | 335 |
| [His Nueva Comedia] | 336 |
| [His Baron and Mogigata] | 337 |
| [His Sí de las Niñas] | 338 |
| [His Translations] | 339 |
| [State of the Drama] | 340 |
| [Actors of Note] | 340 |
| [State of the Theatre] | 341 |
| [Prospects] | 341 |
| CHAPTER VII. |
| Reigns of Charles the Fourth and Ferdinand the Seventh. — Conclusion. |
| [Charles the Fourth and Godoy] | 343 |
| [French Revolution] | 343 |
| [Index Expurgatorius] | 344 |
| [Affair of the Escurial] | 345 |
| [Abdication] | 345 |
| [French Invasion] | 345 |
| [French expelled] | 346 |
| [Ferdinand the Seventh] | 346 |
| [Effect of the Times on Letters] | 347 |
| [Interregnum in Culture] | 349 |
| [Revival of Letters] | 349 |
| [Prospects for the Future] | 350 |
| APPENDIX, A. |
| Origin of the Spanish Language. |
| [Spain and its Name] | 355 |
| [The Iberians in Spain] | 356 |
| [The Celts] | 357 |
| [The Celtiberians] | 358 |
| [The Phœnicians] | 358 |
| [The Carthaginians] | 359 |
| [The Romans] | 360 |
| [Their Colonies] | 362 |
| [Their Language] | 363 |
| [Their Writers] | 364 |
| [Christianity introduced] | 365 |
| [Its Effects on the Language] | 366 |
| [Irruption of the Northern Tribes] | 368 |
| [The Franks, Vandali, etc.] | 369 |
| [The Goths] | 369 |
| [Their Culture] | 370 |
| [Their Effect on the Language] | 371 |
| [The Arabs] | 372 |
| [Their Invasion] | 373 |
| [Their Effect on the Provençal] | 374 |
| [Their Refinement] | 375 |
| [The Christians and Pelayo] | 376 |
| [The Mozárabes] | 377 |
| [Their Influence] | 378 |
| [Their Reunion] | 379 |
| [The Language of the North] | 380 |
| [How modified] | 381 |
| [First written Spanish] | 382 |
| [Carta Puebla de Avilés] | 383 |
| [The Romance] | 384 |
| [The Spanish or Castilian] | 384 |
| [Materials that compose it] | 385 |
| [Its rapid Prevalence] | 386 |
| APPENDIX, B. |
| The Romanceros. |
| [Ballads on separate Sheets] | 388 |
| [Oldest Ballad-book] | 389 |
| [That of Antwerp] | 390 |
| [Other early Ballad-books] | 392 |
| [Ballad-book in Nine Parts] | 392 |
| [Romancero General] | 393 |
| [Early Selections from the Romanceros] | 394 |
| [Recent Selections] | 395 |
| [What is still wanted] | 396 |
| APPENDIX, C. |
| Fernan Gomez de Cibdareal and the Centon Epistolario. |
| [Suggestions on its Genuineness] | 397 |
| [Probably a Forgery] | 398 |
| [No such Person mentioned early] | 398 |
| [No Manuscript of the Letters] | 398 |
| [Date of the earliest Edition false] | 398 |
| [Second Edition admits it] | 398 |
| [No Date to the Letters at first] | 399 |
| [Their Style] | 399 |
| [That of the First Edition] | 399 |
| [Misstatements about Juan de Mena] | 399 |
| [About Barrientos] | 400 |
| [About Alvaro de Luna] | 401 |
| [Appeared in an Age of Forgeries] | 402 |
| [State of the Question] | 403 |
| APPENDIX, D. |
| The Buscapié. |
| [Statement by Los Rios] | 404 |
| [By Ruydiaz] | 405 |
| [Effect of their Statements] | 406 |
| [Don Adolfo de Castro] | 406 |
| [Publishes a Buscapié] | 406 |
| [What it is] | 407 |
| [Contradicts Los Rios and Ruydiaz] | 408 |
| [Its long Concealment suspicious] | 408 |
| [Its External Evidence] | 409 |
| [Argote de Molina] | 409 |
| [The Duke of Lafões] | 410 |
| [Don Pascual de Gándara] | 411 |
| [Its Internal Evidence] | 411 |
| [Resemblances to the Style of Cervantes] | 411 |
| [Mistake about Enzinas] | 412 |
| [About an old Proverb] | 413 |
| [Its Title-page] | 414 |
| [Its Notice of Alcalá] | 414 |
| [State of the Question] | 415 |
| APPENDIX, E. |
| Editions, Translations, and Imitations of the Don Quixote. |
| [First Part] | 416 |
| [Second Part] | 417 |
| [Both Parts] | 417 |
| [Lord Carteret’s Edition] | 417 |
| [That of the Academy] | 418 |
| [Of Bowle] | 418 |
| [Of Pellicer] | 418 |
| [Of Clemencin] | 419 |
| [Translations] | 419 |
| [Imitations out of Spain] | 420 |
| [In Spain] | 421 |
| [Its Fame everywhere] | 422 |
| APPENDIX, F. |
| Early Collections of Old Spanish Plays. |
| [Comedias de Diferentes Autores] | 423 |
| [Comedias Nuevas Escogidas] | 424 |
| [Various smaller Collections] | 426 |
| APPENDIX, G. |
| On the Origin of Cultismo. |
| [Controversy about it in Italy] | 427 |
| [Bettinelli and Tiraboschi] | 427 |
| [Spanish Jesuits in Italy] | 428 |
| [Serrano and Andres] | 428 |
| [Vannetti and Zorzi] | 428 |
| [Arteaga and Isla] | 429 |
| [Lampillas] | 429 |
| [End of the Controversy] | 430 |
| [Result of it] | 431 |
| APPENDIX, H. |
| Inedita. |
| [No. I. Poema de José el Patriarca] | 432 |
| [No. II. La Danza General de la Muerte] | 459 |
| [No. III. El Libro del Rabi Santob] | 475 |
|
| [Index] | 505 |