"And by the way," asked Gordon, a few days later, "how's Frieda getting along?"
"Very well," I answered. "I think she's painting nymphs and angels, as usual."
"Angels, eh? The natural history of such fowl is interesting."
I had met him in the middle of Bryant Park as I was on the way to the Public Library to look up information in regard to feminine garb of the Revolutionary period. It appeared that he was returning from an interview with a Fifth Avenue picture dealer. At once we sought a bench and found seats between a doubtfully-clean young gentleman, reading the sporting page of a dilapidated paper, and an old lady, with rheumy eyes, who watched a ragged urchin.
I nodded, much interested, and he pursued the subject.
"You may have noticed that the very first angels all belonged to the masculine persuasion and you are, perhaps, also aware that it was rather late in the world's growth before women were accorded the possession of a soul. Hence, at the time, there could be no female angels, either worthy or evil. To-day, we have changed all that, as Molière said. In order to flatter the feminine taste people began to talk of little boy angels, because women think more of boy babies than of girl ones. The time arrived when men forgot about the women, the dogs and the walnut trees and, instead of taking a club to the ladies, they began to write sonnets to them. It is evident that no one can rhyme words without everlastingly trying to gild the lily. To call a spade a spade, or a woman a woman, became scant courtesy, and, hence, the poets devised female angels. The painters and sculptors naturally pounced upon them, for their decorative effect, and the she-angel took a firmly-established place in art and fiction. Let me see, I think you said that your Murillo lady describes her little sprout as an angel. This merely shows her to be a normal creature of her sex."
"You are entirely wrong, if by normal you mean just average," I retorted reproachfully. "Frieda declares that she is the most beautiful thing she ever saw."
"Frieda is a waddling and inspired goose, whose goslings are all swans," he asserted disrespectfully. "Through her unbecoming goggles humanity assumes pink and mauve colors instead of remaining drab. It may be good for Frieda and enables her to turn out some very attractive stuff, but it isn't the real thing. Well, I'll have to run away! Couple of fellows waiting to drive me over to Long Beach. By-by!"
He was gone with his usual startling suddenness, and I went off to the library, pondering. When Gordon is talking to me, I can hardly help believing him. Indeed, if the man had been a life insurance agent he would have made a fortune. At first, one feels absolutely compelled to accept all his statements, and it is only after he departs that I begin to wonder whether some flaws can't be picked in his arguments. I occasionally discover a few, I am quite sure. Humanity is no more drab than the flowers of the field, except in terms of the million. There is but slight beauty in violets by the ton, as I have seen them in Southern France, brought in cartloads to the perfume factories. They become but a strongly-scented mass of color. I desire to pick mine as I wander afield, one at a time, and admire the petals, while making myself believe that they grew for my pleasure. Gordon would scoff at the idea and declare it an accidental meeting, but what does he know of the forces that may direct our footsteps? There is comfort in the Mohammedan belief that everything is written before-hand.
The particular book I wanted was being read by a snuffy old gentleman, seated at the long table in the Department of History. I wondered why he should be interested in the frocks and flounces of a past century, and asked for a volume on Charles the Great, a ponderous tome I carried reverently to the big oaken table.