IV
THE NEW WOMAN AND THE OLD MAN.
In the exhibition of fine paintings it is important to have the benefit of proper light and shadow. So it should be in the study of questions. Those who look at the new woman through the distorted lense of false education or prejudice, see the monstrosity such as we have pictured in the public press. They see Dr. Mary Walker, whose dress offends our sense of propriety; they see the ranting woman on the platform, or suffragettes throwing stones through plate-glass windows, and defacing costly specimens of art. These no more represent the genuine new woman I indorse, than does the goggled-eyed, kimbo-armed dandy represent true manhood. Fanaticism marks every new movement, every life has its defect, the sun its spots and the fairest face its freckles.
The new woman is not to be judged by exceptions, nor is she to be measured by the standard of public sentiment. Public sentiment has often condemned the right. It ridiculed Columbus; put Roger Bacon in jail because he discovered the principle of concave and convex glass; condemned Socrates, and jeered Fulton and Morse. It pronounced the making of table forks a mockery of the Creator who gave us fingers to eat with, and broke up a church in Illinois because a woman prayed in prayer meeting.
Hume said: "There is nothing in itself, beautiful or deformed. These attributes arise from the peculiar construction of human sentiment and affection; the attractiveness or repulsiveness of a thing depends very much upon our schooling."
Prof. John Stuart Blackie wore his hair so long that it almost reached his waist. Seated one day in front of a hotel in London, a bootblack halted before him and said: "Mister, will you have a shine?"
Professor Blackie replied: "No, but if you will go wash that dirty face of yours I will give you the price of a shine."
The boy went but soon returned with his rosy cheeks cleansed, saying: "Sir, how do you like the job?"