Place behind these utterances the rich voice and magnetic manner of the "Plumed Knight" of the platform, and you can realize what oratory means.
If you will here pardon me for going from the sublime to the ridiculous, I will show you how a bit of a school boy rhetoric may win its way over solid argument. In the country school I attended, there was a debating society. Parents as well as their sons were admitted to the society and the public was invited to the debates. On one occasion the question for debate was: "Which is the more attractive, the works of nature or the works of art?"
There had been an appeal from a general debate and this time one speaker was chosen from each side. My father was chosen to represent the negative and I the affirmative. My father was a good speaker but so fond of facts he had no use for rhetoric. I had the opening address of thirty minutes, my father had forty-five minutes and I had fifteen minutes to close the debate.
As father talked I wondered how he ever got hold of so many facts. He piled them up until my first address was swept away by the triumphs of art. The only hope I had for the affirmative was in the closing fifteen minutes. Fortunately for me, the judge was a bachelor and very much in love with a golden-haired, accomplished young woman who lived in a country home very near the schoolhouse, and was then in the audience. In closing the debate I referred to father's address in a complimentary manner, and then asked the judge to be seated in imagination on a knoll nearby. On one side of that knoll I placed all my father had claimed for art, withholding nothing. On the other side was the home of this Blue Grass belle. I began a description of her home and personality. I pictured "the orchard, the meadow, the deep tangled wild-wood and every loved spot" the judge well knew. I pictured the brook that ran through the meadow into the woodland and on down the valley, singing as it ran,
"I wind about and in and out,
With here a blossom sailing;
Here and there a lusty trout,
And here and there a grey-ling."
When my time was half gone I felt I was gone too unless I could get a little nearer the heart of the judge. Opening the door art had made to shut in the flowers of a lovely family I brought out the golden-haired girl.
Taking off the sun-bonnet of art, that the good-night kisses of the sinking sun might enrich her rosy cheeks and golden tresses, I sent her strolling down the winding walk hedged in by hawthorn and hyacinth to the water's brink. Here I gave her a cushion of blue-grass, and with the rising moon pouring its shimmering sheen upon the ripples at her feet, I sent her voice floating away on the evening air singing: "Roll on silver moon, guide the traveler on his way." Here the audience cheered, the judge smiled and I felt encouraged.