Then do her greatest features seem to crowd
Down to the river's brink:—then does she raise
From off her brow the everlasting cloud,
(Thus with her veil the coquette archly plays)
And for a moment shows her features, proud
To catch the Rembrandt light of the sun's rays:—
Then may the eye of the beholder dwell
On steeple, column, dome, and pinnacle.

Yes—he may reckon temple, mart, and tower—
The old historic sites—the halls of kings—
The seats of art—the fortalice of power—
The ships that waft our commerce on their wings—
All these commingle in that dawning hour;
And each into one common focus brings
Some separate moral of life's scenes so true,
As all those objects form one point of view!

The ceaseless hum of the huge Babylon
Has known no silence for a thousand years;
Still does her tide of human life flow on,
Still is she racked with sorrows, hopes, and fears;
Still the sun sets, still morning dawns upon
Hearts full of anguish, eye-balls dimmed with tears:—
Still do the millions toil to bless the few—
And hideous Want stalks all her pathways through!

"Beautiful—very beautiful!" exclaimed Captain Dapper. "Strike me if I ever heard more beautiful poetry!"

"Almotht ath good ath your lineth on the Thea Therpent. Wath the poem witten by the thame perthon that painted the landthcape?"

"The very same," answered Isabella. "His initials are in the corner."

"R. M. Who can that be?" exclaimed Dapper.

"Robert Montgomery, perhaps?" said Isabella, smiling with a charmingly arch expression of countenance.

"No—Wichard Markham!" cried Sir Cherry; and then he and his friend the hussar captain were excessively annoyed to think that they had been extolling to the skies the performances of an individual who had frightened the one out of his wits, and boxed the ears of the other.

Thus passed the evening; but Markham was reserved and melancholy. It was in vain that Isabella exerted herself to instil confidence into his mind, by means of those thousand little attentions and manifestations of preference which lovers know so well how to exhibit, but which those around perceive not. Richard was firm in those resolutions which he deemed consistent with propriety and honour; and he deeply regretted the explanation and its consequences into which the enthusiasm of the moment had that evening led him.