"Speak not of that—speak not of that, I conjure you!" hastily exclaimed Greenwood. "Tell me Ellen—tell me, you have not breathed a word to your father, nor to that young man—"

"No—not for worlds!" cried Ellen, with a shudder: then, after a pause, during which she appeared to reflect deeply, she said, "But you ask me why I wish to narrate to you the history of all the miseries I have endured for two long years, and upwards: you demand of me why I would dwell upon so sad a theme. I will tell you presently. You shall hear me first. But pray, be not impatient: I shall not detain you long;—and, surely—surely, you can spare an hour to one who is so very—very miserable."

"Speak, Ellen—speak!"

"The loss of our fortune plunged us into the most frightful poverty. We were not let down gradually from affluence to penury;—but we fell—as one falls from a height—abruptly, suddenly, and precipitately into the depths of want and starvation. The tree of our happiness lost not its foliage leaf by leaf: it was blighted in an hour. This made the sting so much more sharp—the heavy weight of misfortune so much less tolerable. Nevertheless, I worked, and worked with my needle until my energies were wasted, my eyes grew dim, and my health was sinking fast. Oh! my God, I only asked for work;—and yet, at length, I lost even that resource! Then commenced a strange kind of life for me."

"A strange kind of life, Ellen—what mean you?" exclaimed Greenwood, now interested in the recital.

"I sold myself in detail," answered Ellen, in a tone of the deepest and most touching melancholy.

"I cannot understand you," cried Greenwood. "Surely—surely your mind is not wandering!"

"No: all I tell you is unhappily too true," returned the poor girl, shaking her head; then, as if suddenly recollecting herself, she started from her thoughtful mood, and said, "You have a plaster of Paris image as large as life, in the window of your staircase?"

"Yes—it is a Diana, and holds a lamp which is lighted at night," observed Greenwood. "But what means that strange question—so irrelevant to the subject of our discourse?"

"More—more than you can imagine," answered Ellen, bitterly. "That statue explains one phase in my chequered life;"—then, sinking her tone almost to a whisper, grasping Greenwood's hand convulsively, and regarding him fixedly in the countenance, while her own eyes were suddenly lighted up with a strange wildness of expression, she added, "The face of your beautiful Diana is my own!"