Five or six evenings after the one on which she had this interview with Greenwood, Ellen received a note by the post. It was addressed to her at the theatre, by the name which she had assumed; and its contents ran as follows:—
"A certain person who is enamoured of you, and who is not accustomed to allow trivial obstacles to stand in the way of his designs, has determined upon carrying you forcibly off to a secluded spot in the country. He knows where you reside, and has ascertained that you return every evening from the theatre in a hackney cab to within a short distance of your abode. His plan is to way-lay you during your walk from the place where you descend from the vehicle, to your residence. If your suspicions fall upon any person of your acquaintance, after a perusal of this note, beware how you tax him with the vile intent;—beware how you communicate this warning, for by any imprudence on your part, you may deprive the writer of the means of counteracting in future the infamous designs which the individual above alluded to may form against yourself or others."
This note was written in a neat but curious hand, which seemed to be that of a foreigner. The reader can well imagine the painful surprise which its contents produced upon the young figurante. She however had no difficulty in fixing upon Greenwood as the person who contemplated the atrocity revealed in that note.
He alone (save the manager, who was an honourable and discreet man) knew where she lived; unless, indeed, some other amatory swain had followed her homeward. This idea perplexed her—it was possible; and yet she could not help thinking that Greenwood was the person against whom she was thus warned.
But who had sent her that friendly notice? Who was the mysterious individual that had thus generously placed her upon her guard? Conjecture was useless. She must think only of how she ought to act!
Her mind was speedily made up. She resolved to ride in the vehicle of an evening up to the very door of Markham's house, and trust to her ingenuity for an excuse to satisfy her father relative to this apparent extravagance on her part. Both Richard and Mr. Monroe put implicit confidence in her word;—she had already satisfactorily accounted for the late hours which her attendance at the theatre compelled her to keep, by stating that she was engaged to attend private concerts and musical conversaziones at the West End—sometimes, even, at Blackheath, Kensington, and Clapham—where she presided at the piano, in which she was a proficient. Then, when she was compelled to be present at rehearsals at the theatre, she stated that she had morning concerts to attend; and as she was not absent from home every day (her engagement with the manager being merely to appear three nights a-week) this system of deception on her part readily obtained credit with both Markham and her father, neither of whom could seriously object to what they were induced to believe was the legitimate exercise of her accomplishments. Accordingly, when, on the morning after the receipt of the mysterious letter, she casually mentioned that she should no longer return home of an evening by the omnibus, as she disliked the lonely walk from the main-road, where it set her down, to the Place, and that her emoluments would now permit her to enjoy the comfort and safety of a cab, both Richard and her father earnestly commended her resolution.
And why did she not tell the truth at once? wherefore did she not acknowledge the career which she was pursuing, and reveal the triumph which she had achieved?
Because she knew that both her father and Markham would oppose themselves to the idea of her exercising the profession of a dancer;—because she had commenced a system of duplicity, and was almost necessitated to persevere in it;—and because she really loved—ardently loved—the course upon which she had entered. The applause of crowded audiences—the smiles of the manager—the adulation of the young nobles and gentlemen who, behind the scenes, complimented her upon her success, her talents, and her beauty,—these were delights which she would not very readily abandon.
CHAPTER XC.
MARKHAM'S OCCUPATIONS.
SINCE the period when Markham had made so great a sacrifice of his pecuniary resources, in order to effect the liberation of Count Alteroni from a debtor's prison, he had devoted himself to literary pursuits. He aspired to the honours of authorship, and composed a tragedy.