It was that Ellen had been placed in those circumstances which had taught her the value and led her to appreciate the extent of her almost matchless charms:—her lovely countenance had served as a copy, and her exquisitely modelled form as a pattern for artists and sculptors;—during her brief dramatic career, she had been the object of unceasing adulation;—and when she forced Greenwood to espouse her, the splendour of her beauty had disarmed him of the resentment which he would otherwise have experienced in being compelled to sacrifice for her all his hopes of a brilliant matrimonial alliance. Hers was the pride of a loveliness which had produced her bread in the hour of her bitter need,—which was perpetuated in great works of art,—which had elicited the heart-felt admiration of many suitors of rank and name,—and which was still in all the freshness of health and youth. Still that pride was never obtrusive—not even conspicuous; for it was attempered by a natural generosity, an innate loftiness of soul which rendered her as adorable for her disposition as she was desirable for her beauty.

Katherine had long languished in a condition which compelled her to retire from observation. While she dwelt with the late executioner, she was glad to be able to shroud herself from public view. She was always neat and cleanly from principle, but not from pride. The germinations of self-complacency had been checked in their nascent state, though not completely obliterated; and now, if they were slightly expanding in the genial atmosphere of the improved circumstances which surrounded her, it was with a legitimate growth, such as no female mind should remain unacquainted with. For a certain degree of proper pride is necessary to woman,—to preserve her self-esteem, and to maintain her soul so happily poised that it may not fall into over-weening confidence on the one side, nor into an awkward and repulsive reserve on the other.

That chamber-scene would have made a fine and deeply interesting subject for the pencil of the artist, who would have delighted to shadow forth the variety of the female character,—here the glorious loveliness of the wife who dared not avow that sacred name,—there the retiring beauty of the young virgin.

But Katherine had not altogether escaped the influence of that blind deity who exercises so important a control over the destinies of us mortals.

How this happened we must leave her to describe in her own artless manner.

"I have been thinking, dear Kate," said Ellen, as she stood combing her long and silky hair, on which a lamp's reflection in the mirror shed a bright glory,—"I have been thinking that this is a dull and lonely place for you. Mr. and Mrs. Bennet are very kind and amiable people; but it will not be suitable for one whose worldly prospects are so good as yours, to remain in this solitude. You are literally buried here! I am almost inclined to take you with me to Markham Place for a short time, when the business with that old woman is decided. I am sure Richard would be pleased with such an arrangement."

"I should like to be with you, Ellen," was the reply: "but—for the present—I must remain here," added Katherine, with some little hesitation.

"Oh! no—you must come with me to Markham Place," exclaimed Ellen; "and the change of scene will please you. Besides—I have a secret to tell you, Kate."

"A secret!" repeated the maiden.

"Yes—a secret that will surprise you," continued Ellen. "I shall reveal it to you now; but you must not mention it to any one here—for particular reasons which I cannot explain to you at present. What should you think if I were to tell you that I am married?"