Wagner, the Wehr-Wolf

by George W. M. Reynolds

The chief judge and the procurator fiscal then by turns questioned and cross-questioned the prisoner in the most subtle manner, to induce him state the degree of relationship subsisting between himself and Agnes; but he either refused to respond to their queries, or else answered direct ones by means of a positive denial.

The lieutenant of the sbirri was at length called upon to give an account of the discovery of the dead body and the suspicious circumstances which had led to the arrest of Wagner. Two of these circumstances appeared to be very strong against him. The first was the soiled and blood-stained appearance of the garments which were found in his chamber; the other was the exclamation—“But how know you that it is Agnes who is murdered?”—uttered before any one had informed who had been murdered.

Wagner was called upon for an explanation. He stated that he had been out the whole night; that the blood upon his garments had flowed from his own body, which had been scratched and torn in the mazes of the woods; that on his return home he met Agnes in the garden; that he had left her there; and that he was told a young lady had been assassinated in the vicinity of his dwelling, he immediately conceived that the victim must be Agnes.

When questioned concerning the motives of his absence from home during the entire night he maintained a profound silence; but he was evidently much agitated and excited by the queries thus put to him. He said nothing about the stranger-lady who had so frequently terrified Agnes; because, in relating the proceedings of that mysterious female in respect to his deceased grand-daughter—especially the incident of the abstraction of the antique jewels which the late Count of Riverola had given to her—he would have been compelled to enter into details concerning the amour between those who were no more. And this subject he was solicitous to avoid, not only through respect for the memory of the murdered Agnes, but also to spare the feelings of Count Francisco and Donna Nisida.

The judges and the procurator fiscal, finding that they could elicit nothing from Wagner relative to the cause of his absence from home during the night preceding the murder, passed on to another subject.

“In an apartment belonging to your residence,” said the chief judge, “there are several pictures and portraits.”

Wagner turned pale and trembled. The judge made a signal to an officer of the court, and that functionary quitted the judgment hall. In a few minutes he returned, followed by three subordinates bearing the two portraits mentioned in the sixth chapter of this tale, and also the frame covered over with the large piece of black cloth. On perceiving this last object, Wagner became paler still, and trembled violently.

“There are six other pictures in the room whence these have been taken,” said the judge; “but these six are not of a character to interest the tribunal. We however require explanations concerning the two portraits and the frame with the black cloth cover now before us.”

The greatest excitement at present prevailed amongst the audience.

“On one of the portraits,” continued the chief judge, “there is an inscription to this effect,—F., Count of A., terminated his career on the 1st. of August, 1517.—What does this inscription mean?”