“I was over at Shelbyville, on the jury, and I wasn’t there, so he didn’t sell it. Been tryin’ to for a week. He told the old lady that was his last day here, and he was leavin’ then.”
“And about what time of night was it when you heard the shot in Isom Chase’s house, and ran over?”
“Along about first rooster-crow,” said Sol.
“And that might be about what hour?”
“Well, I’ve knowed ’em to crow at ’leven this time o’ year, and ag’in I’ve knowed ’em to put it off as late as two. But I should judge that it was about twelve when I come over here the first time last night.”
Sol was excused with that. He left the witness-chair with ponderous solemnity. The coroner’s stenographer had taken down his testimony, and was now leaning back in his chair as serenely as if unconscious of his own marvelous accomplishment of being able to write down a man’s words as fast as he could talk.
Not so to those who beheld the feat for the first time. They watched the young man, who was a ripe-cheeked chap with 138 pale hair, as if they expected to catch him in the fraud and pretense of it in the end, and lay bare the deceit which he practised upon the world.
The coroner was making notes of his own, stroking his black beard thoughtfully, and in the pause between witnesses the assembled neighbors had the pleasure of inspecting the parlor of dead Isom Chase which they had invaded, into which, living, he never had invited them.
Isom’s first wife had arranged that room, in the hope of her young heart, years and years ago. Its walls were papered in bridal gaiety, its colors still bright, for the full light of day seldom fell into it as now. There hung a picture of that bride’s father, a man with shaved lip and a forest of beard from ears to Adam’s apple, in a little oval frame; and there, across the room, was another, of her mother, Quakerish in look, with smooth hair and a white something on her neck and bosom, held at her throat by a portrait brooch. On the table, just under that fast-writing young man’s eyes, was a glass thing shaped like a cake cover, protecting some flowers made of human hair, and sprigs of bachelor’s button, faded now, and losing their petals.
There hung the marriage certificate of Isom and his first wife, framed in tarnished gilt which was flaking from the wood, a blue ribbon through a slit in one corner of the document, like the pendant of a seal, and there stood the horsehair-upholstered chairs, so spare of back and thin of shank that the rustics would stand rather than trust their corn-fed weight upon them. Underfoot was a store-bought carpet, as full of roses as the Elysian Fields, and over by the door lay a round, braided rag mat, into which Isom’s old wife had stitched the hunger of her heart and the brine of her lonely tears.