Even if he had the kind of a wife that a man should have, reflected he, she would be watching; she would come through rain and hail, thunder and wild blast, to open the gate and ease him through without that troublesome stop.

Matrimony had been a profitless investment for him, said he in bitterness. His first wife had lived long and eaten ravenously, and had worn out shoes and calico slips, and his second, a poor unwilling hand, was not worth her keep.

So, with all this sour summing up of his wasted ventures in his mind, and the cold rain spitting through his years-worn 67 coat, Isom was in no humor to debate the way with another man when it came to entering into his own property through his own wide gate.

But there was another man in the road, blocking it with his top-buggy, one foot out on the step, his head thrust around the side of the hood with inquiring look, as if he also felt that there should be somebody at hand to open the gate and let him pass without muddying his feet.

“Ho!” called Isom uncivilly, hailing the stranger as he pulled up his team, the end of his wagon-tongue threatening the hood of the buggy; “what do you want here?”

The stranger put his head out a bit farther and twisted his neck to look behind. He did not appear to know Isom, any more than Isom knew him, but there was the surliness of authority, the inhospitality of ownership, in Isom’s mien, and it was the business of the man in the buggy to know men at a glance. He saw that Isom was the landlord, and he gave him a nod and smile.

“I’d like to get shelter for my horse and buggy for the night, and lodging for myself,” said he.

“Well, if you pay for it I reckon you can git it,” returned Isom. “Pile out there and open that gate.”

That was the way that Curtis Morgan, advance agent of the divine light of literature, scout of knowledge, torch-bearer of enlightenment into the dark places of ignorance, made his way into the house of Isom Chase, and found himself in due time at supper in the low-ceiled kitchen, with pretty Ollie, like a bright bead in a rusty purse, bringing hot biscuits from the oven and looking him over with a smile.

Curtis Morgan was a slim and limber man, with a small head and a big mouth, a most flexible and plastic organ. Morgan wore a mustache which was cut back to stubs, giving his face a grubby look about the nose. His light hair was short and thick, curling in little love-locks about his ears. 68