Simple he was, sitting there on top of that hammering old cattle car that sunny afternoon, the dust of the road in his three-day-old beard, his barked willow prod-pole between his knees; simple as a ballad that children sing, simple as a homely tune.
Well, of course he had kept Grace Kerr's little handkerchief, for reasons that he could not quite define. Maybe because it seemed to represent her as he would have had her; maybe because it was the poor little trophy of his first tenderness, his first yearning for a woman's love. But he had kept it with the dim intention of giving it back to her, opportunity presenting.
"Yes, I'll give it back to her," he nodded; "when the time comes I'll hand it to her. She can wipe her eyes on it when she opens them and repents."
Then he fell to thinking of business, and what was best for Vesta's interests, and of how he probably would take up Pat Sullivan's offer for the calves, thus cleaning up her troubles and making an end of her expenses. Pat Sullivan, the rancher for whom Ben Jedlick was cook; he was the man. The Duke smiled through his grime and dust when he remembered Jedlick lying back in the barber's chair.
And old Taterleg, as good as gold and honest as a horse, was itching to be hitting the breeze for Wyoming. Selling the calves would give him the excuse that he had been casting about after for a month. He was writing letters to Nettie; she had sent her picture. A large-breasted, calf-faced girl with a crooked mouth. Taterleg might wait a year, or even four years more, with perfect safety. Nettie would not move very fast on the market, even in Wyoming, where ladies were said to be scarce.
And so, pounding along, mile after mile through the vast green land where the bread of a nation grew, arriving at midnight among squeals and moans, trembling bleat of sheep, pitiful, hungry crying of calves, high, lonesome tenor notes of bewildered steers. That was the end of the journey for him, the beginning of the great adventure for the creatures under his care.
By eleven o'clock next morning, Lambert had a check for the cattle in his pocket, and bay rum on his face where the dust, the cinders and the beard had been but a little while before. He bought a little hand satchel in a second-hand store to carry the money home in, cashed his check and took a turn looking around, his big gun on his leg, his high-heeled boots making him toddle along in a rather ridiculous gait for an able-bodied cow-puncher from the Bad Lands.
There was a train for home at six, that same flier he once had raced. There would be time enough for a man to look into the progress of the fine arts as represented in the pawn-shop windows of the stockyards neighborhood, before striking a line for the Union Station to nail down a seat in the flier. It was while engaged in this elevating pursuit that Lambert glimpsed for an instant in the passing stream of people a figure that made him start with the prickling alertness of recognition.
He had caught but a flash of the hurrying figure but, with that eye for singling a certain object from a moving mass that experience with cattle sharpens, he recognized the carriage of the head, the set of the shoulders. He hurried after, overtaking the man as he was entering a hotel.
"Mr. Kerr, I've got a warrant for you," he said, detaining the fugitive with a hand laid on his shoulder.