Mrs. Chadron was in the living-room, with its big fireplace and homely things, when they came chattering out of the enchanted place. She was sitting by the window which gave her a view of the dim gray road where it came over the grassy swells from Meander and the world, knitting a large blue sock.
Mrs. Chadron was a cow-woman of the unimproved school. She was a heavy feeder on solids, and she liked plenty of chili peppers in them, which combination gave her a waist and a ruddiness of face like a brewer. But she was a good woman in her fashion, which was narrow, and intolerant of all things which did not wear hoofs and horns, or live and grow mighty from the proceeds of them. She never had expanded mentally to fit the large place that Saul had made for her in the world of cattle, although her struggle had been both painful and sincere.
Now she had given it up, and dismissed the troubles of high life from her fat little head, leaving Nola to stand in the door and do the honors with credit to the entire family. She had settled down to her roasts and hot condiments, her knitting and her afternoon naps, as contentedly as an old cat with a singed back under a kitchen stove. She had no desire to go back to the winter home in Cheyenne, with its grandeur, its Chinese cook, and furniture that she was afraid to use. There was no satisfaction in that place for Mrs. Chadron, beyond the 34 swelling pride of ownership. For comfort, peace, and a mind at ease, give her the ranchhouse by the river, where she could set her hand to a dish if she wanted to, no one thinking it amiss.
“Well, I declare! if here don’t come Banjo Gibson,” said she, her hand on the curtain, her red face near the pane like a beacon to welcome the coming guest. There was pleasure in her voice, and anticipation. The blue sock slid from her lap to the floor, forgotten.
“Yes, it’s Banjo,” said Nola. “I wonder where he’s been all summer? I haven’t seen him in an age.”
“Who is he?” Frances inquired, looking out at the approaching figure,
“The troubadour of the North Platte, I call him,” laughed Nola; “the queerest little traveling musician in a thousand miles. He belongs back in the days of romance, when men like him went playing from castle to court—the last one of his kind.”
Frances watched him with new interest as he drew up to the big gate, which was arranged with weights and levers so that a horseman could open and close it without leaving the saddle. The troubadour rode a mustang the color of a dry chili pepper, but with none of its spirit. It came in with drooping head, the reins lying untouched on its neck, its mane and forelock platted and adorned fantastically with vari-colored ribbons. Rosettes were on the bridle, a fringe of leather thongs along the reins.
The musician himself was scarcely less remarkably 35 than the horse. He looked at that distance—now being at the gate—to be a dry little man of middle age, with a thirsty look about his throat, which was long, with a lump in it like an elbow. He was a slender man and short, with gloves on his hands, a slight sandy mustache on his lip, and wearing a dun-colored hat tilted a little to one side, showing a waviness almost curly in his glistening black hair. He carried a violin case behind his saddle, and a banjo in a green covering slung like a carbine over his shoulder.
“He’ll know where to put his horse,” said Mrs. Chadron, getting up with a new interest in life, “and I’ll just go and have Maggie stir him up a bite to eat and warm the coffee. He’s always hungry when he comes anywhere, poor little man!”