UNCLEAN

Earl Gray came down the street hatless, the big news on his tongue. Rhetta Thayer, in the door of the Headlight office, where she had stood in the pain of one crucified while the shots sounded in Peden's hall, stopped him with a gasped appeal.

Dead. Peden and the gun-slingers he had brought there to kill Morgan; any number of others who had mixed in the fight; Morgan himself—all dead, the floor covered with the dead. That was the terrible word that rolled from Gray's excited tongue. And when she heard it, Rhetta put out her hands as one blind, held to the door frame a moment while the blood seemed to drain out of her heart, staring with horrified eyes into the face of the inconsequential man who had come in such avid eagerness to tell this awful tale.

People were hastening by in the direction of Peden's, scattered at first, like the beginning of a retreat, coming then by twos and threes, presently overflowing the sidewalk, running in the street. Rhetta stood staring, half insensible, on this outpouring. Riley Caldwell, the young printer, rushed past her out of the shop, his roached hair like an Algonquin's standing high above his narrow forehead, his face white as if washed by death.

Impelled by a desire that was commanding as it was terrifying, moved by a hope that was only a shred of a raveled dream, Rhetta joined the moving tide that set toward Peden's door. Dead—Morgan was dead! Because she had asked him, he had set his hand to this bloody task. She had sent him to his death in her selfish desire for security, in her shrinking cowardice, in her fear of riot and blood. And he was dead, the light was gone out of his eyes, his youth and hope were sacrificed in a cause that would bring neither glory nor gratitude to illuminate his memory.

She began to run, out in the dusty street where he had marched his patrol that first night of his bringing peace to Ascalon; to run, her feet numb, her body numb, only her heart sentient, it seemed, and that yearning out to him in a great pain of pity and stifling labor of remorse. It was only a little way, but it seemed heavy and long, impeded by feet that could not keep pace with her anguish, swift-running to whisper a tender word.

The lights were bright in Peden's hall, a great crowd leaned and strained and pushed around its door. There were some who asked her kindly to go away, others who appealed earnestly against her looking into the place, as Rhetta pushed her way, panting like an exhausted swimmer, through the crowd.

Nothing would turn her; appeals were dim as cries in drowning ears. Gaining the door, she paused a moment, hands pressed to her cheeks, hair fallen in disorder. Her eyes were big with the horror of her thoughts; she was breathless as one cast by breakers upon the sand. She looked in through the open door.

Morgan was standing like a soldier a little way inside the door, his rifle carried at port arms, denying by the very sternness of his pose the passage of any foot across that threshold of tragedy. There was nothing in his bearing of a wounded man. Beyond him a few feet lay the bodies of the two infamous guards who had been posted at the door to take his life; along the glistening bar, near its farther end, Peden stretched with face to the floor, his appealing hands outreaching.

A gambling table had been upset, chairs strewn in disorder about the floor, when the rabble was cleared out of the place. Only Morgan remained there with the dead men, like a lone tragedian whose part was not yet done.