"Old Joe Lynch; he's loadin' another car of bones," Judge Thayer said.
"He used to pick up meat for me," said Seth in his sententious way, neither surprised nor pleased on finding this associate of his adventurous days here in this place of his new beginning.
Joe Lynch drove across the farther side of the square, a block away from the two officials of Ascalon. There he stopped only long enough to allow his passenger to alight, and continued on to the railroad siding where his car stood.
Judge Thayer lingered under the hotel awning, where the breeze struck refreshingly, perhaps making a pretense of being cooled that was greater than his necessity, curious to see who it was Lynch had brought to town on his melancholy load. The passenger, carrying his flat bag, came on toward the hotel.
"He's a stranger to me," said the judge. His interest ending there, he went his way to take up again the preparation of his case in defense of the cattle thief whom he knew to be a thief, and nothing but a thief.
Seth Craddock, the new marshal, glanced sharply at the stranger as he approached the hotel. It was nothing more severe than Seth's ordinary scrutiny, but it appeared to the traveler to be at once hostile and inhospitable, the look of a man who sneered out of his heart and carried a challenge in his eyes. The stranger made the mental observation that this citizen was a sour-looking customer, who apparently resented the coming of one more to the mills of Ascalon's obscene gods.
There was a cluster of flies on the open page of the hotel register, where somebody had put down a sticky piece of chocolate candy and left it. This choice confection covered three or four lines immediately below the last arrival's name, its little trickling rivulets, which the flies were licking up, spreading like a spider's legs. There was nobody in the office to receive the traveler's application for quarters, but evidence of somebody in the remote parts of the house, whence came the sound of a voice more penetrating than musical, raised in song.
With her apurn pinned round her,
He took her for a swan,
But oh and a-las, it was poor Pol-ly Bawn.
So she sang, the words of the ancient ballad cutting through the partition like a saw. There was a nasal quality in them, as if the singer were moved to tears by the pathos of Poor Polly's end. The traveler laid a finger on the little bell that stood on the cigar case, sending his alarm through the house.
The song ceased, the blue door with DINING-ROOM in pink across its panels, shut against the flies, opened with sudden jerk, as if by a petulant hand. There appeared one who might have been Polly Bawn herself, taken by the white apron that shrouded her figure from shoulders to floor. She stood a moment in the door, seeing that it was a stranger, half closing that gay portal to step behind it and give her hair that swift little adjustment which, with women the world over, is the most essential part of the toilet. She appeared smiling then, somewhat abashed and coy, a fair short girl with a nice figure and pretty, sophisticated face, auburn curls dangling long at her ears, a precise row of bangs coming down to her eyebrows. She was a pink and white little lady, quick on foot, quicker of the blue eyes which measured the waiting guest from dusty feet to dusty hat in the glance that flashed over him in business-like brevity.