"Time's no object to me," Morgan returned, good-humored and undisturbed, thinking this must be one of the jokes at the expense of strangers for which Ascalon was famous.
Some of the loafers were standing by their chairs in attitude of indecision, others sat leaning forward to see and hear. Traffic both ways on the sidewalk came to a sudden halt at the spectacle of two men in a situation recognized at a glance in quick-triggered Ascalon as significant, those who came up behind Morgan clearing the way by edging from the sidewalk into the square.
"The train'll be here in twelve minutes," Craddock announced, watch in his palm.
"On time, is she?" Morgan said indifferently, starting for the door.
Again Seth Craddock lifted his hand. Those who had remained seated along the gutter perch up to this moment now got to their feet with such haste that chairs were upset. Craddock put his hand casually to his pistol, as a man rests his hand on his hip.
"You're leavin' on it," he said.
"I guess you've got the wrong man," Morgan suggested, noting everything with comprehensive eye, not a little concerned by the marshal's threatening attitude. If this were going to turn out a joke, Morgan wished it might begin very soon to show some of its risible features on the surface, in order that he might know which way to jump to make the best figure possible.
"No, I ain't got no wrong man!" Craddock returned, making mockery of the words, uttering them jeeringly out of the corner of his mouth. He blasted Morgan with the glare of his malevolent red eyes, redder now than before his weapon had moistened the street of Ascalon with blood. "You're the feller that's been shootin' off your mouth about murder in the name of the law, and you bein' able to take his gun away from that feller. Well, kid, I'm afraid it's goin' to be a little too rough for you in this town. You're leavin'—you won't have time to git your gripsack now, you can write for it!"
Morgan felt the blood flaming into his face with the hot swell of anger. A moment he stood eye to eye with Craddock, fighting down the defiance that rose for utterance to his lips. Then he started again toward the hotel door.
Craddock whipped out his pistol with arm so swift that the eye multiplied it like a spoke in a quick-spinning wheel. He stood holding the weapon so, his wrist rather limber, the muzzle of the pistol pointing in the general direction of Morgan's feet.