In the awful tragedy which soon followed, when Parma came upon the scene, that 'spectacle of human energy, human suffering, and human strength to suffer, such as has not often been displayed upon the stage of the world's events', the town had its share of the persecutions and exactions which followed the march of the Spanish soldiery; but for more than ten years a majority of the burghers adhered to the cause of Philip. In July, 1578, however, Ypres fell into the hands of the Protestants, and became their headquarters in West Flanders. Five years later Alexander of Parma besieged it. The siege lasted until April of the following year, when the Protestants, worn out by famine, capitulated, and the town was occupied by the Spaniards, who 'resorted to instant measures for cleansing a place which had been so long in the hands of the infidels, and, as the first step towards this purification, the bodies of many heretics who had been buried for years were taken from their graves and publicly hanged in their coffins. All living adherents to the Reformed religion were instantly expelled from the place.'[16] By this time the population was reduced to 5,000 souls, and the fortifications were a heap of ruins.
A grim memorial of those troublous times is still preserved at Ypres. The Place du Musée is a quiet corner of the town, where a Gothic house with double gables contains a collection of old paintings, medals, instruments of torture, and some other curiosities. It was the Bishop of Ypres who, at midnight on June 4, 1568, announced to Count Egmont, in his prison at Brussels, that his hour had come; and the cross-hilted sword, with its long straight blade, which hangs on the wall of the Museum is the sword with which the executioner 'severed his head from his shoulders at a single blow' on the following morning. The same weapon, a few minutes later, was used for the despatch of Egmont's friend, Count Horn.
YPRES
Place du Musée (showing Top Part of the Belfry).
Before the end of that dismal sixteenth century Flanders regained some of the liberties for which so much blood had been shed; but while the Protestant Dutch Republic rose in the north, the 'Catholic' or 'Spanish' Netherlands in the south remained in the possession of Spain until the marriage of Philip's daughter Isabella to the Archduke Albert, when these provinces were given as a marriage portion to the bride. This was in 1599. Though happier times followed under the moderate rule of Albert and Isabella, war continued to be the incessant scourge of Flanders, and during the marching and countermarching of armies across this battlefield of Europe, Ypres scarcely ever knew what peace meant. Four times besieged and four times taken by the French in the wars of Louis XIV., the town had no rest; and for miles all round it the fields were scarred by the new system of attacking strong places which Vauban had introduced into the art of war. Louis, accompanied by Schomberg and Luxembourg, was himself present at the siege of 1678; and Ypres, having been ceded to France by the Treaty of Nimeguen in that year, was afterwards strengthened by fortifications constructed from plans furnished by the great French engineer.[17]
In the year 1689 Vauban speaks of Ypres as a place 'formerly great, populous, and busy, but much reduced by the frequent sedition and revolts of its inhabitants, and by the great wars which it has endured.' And in this condition it has remained ever since. Though the period which followed the Treaty of Rastadt in 1714, when Flanders passed into the possession of the Emperor Charles VI., and became a part of the 'Austrian Netherlands,' was a period of considerable improvement, Ypres never recovered its position, not even during the peaceful reign of the Empress Maria Theresa. The revolution against Joseph II. disturbed everything, and in June, 1794, the town yielded, after a short siege, to the army of the French Republic. The name of Flanders disappeared from the map of Europe. The whole of Belgium was divided, like France, with which it was now incorporated, into départements, Ypres being in the Department of the Lys. For twenty years, during the wars of the Republic, the Consulate, and the Empire, though the conscription was a constant drain upon the youth of Flanders, who went away to leave their bones on foreign soil, nothing happened to disturb the quiet of the town, and the fortifications were falling into decay when the return of Napoleon from Elba set Europe in a blaze. During the Hundred Days guns and war material were hurried over from England, the old defences were restored, and new works constructed by the English engineers; but the Battle of Waterloo rendered these preparations unnecessary, and the military history of Ypres came to an end when the short-lived Kingdom of the Netherlands was established by the Congress of Vienna, though it was nominally a place of arms till 1852, when the fortifications were destroyed. Nowadays everything is very quiet and unwarlike. The bastions and lunettes, the casemates and moats, which spread in every direction round the town, have almost entirely disappeared, and those parts of the fortifications which remain have been turned into ornamental walks.[18]
But while so little remains of the works which were constructed, at such a cost and with so much labour, for the purposes of war, the arts of peace, which once flourished at Ypres, have left a more enduring monument. There is nothing in Bruges or any other Flemish town which can compare for massive grandeur with the pile of buildings at the west end of the Grand' Place of Ypres. During two centuries the merchants of Flanders, whose towns were the chief centres of Western commerce and civilization, grew to be the richest in Europe, and a great portion of the wealth which industry and public spirit had accumulated was spent in erecting those noble civic and commercial buildings which are still the glory of Flanders. The foundation-stone of the Halle des Drapiers, or Cloth Hall, of Ypres was laid by Baldwin of Constantinople, then Count of Flanders, at the beginning of the thirteenth century, but more than 100 years had passed away before it was completed. Though the name of the architect who began it is unknown, the unity of design which characterizes the work makes it probable that the original plans were adhered to till the whole was finished. Nothing could be simpler than the general idea; but the effect is very fine. The ground-floor of the façade, about 150 yards long, is pierced by a number of rectangular doors, over which are two rows of pointed windows, each exactly above the other, and all of the same style. In the upper row every second window is filled up, and contains the statue of some historical character. At each end there is a turret; and the belfry, a square with towers at the corners, rises from the centre of the building.
Various additions have been made from time to time to the original Halle des Drapiers since it was finished in the year 1304, and of these the 'Nieuwerck' is the most interesting. The east end of the Halle was for a long time hidden by a number of wooden erections, which, having been put up for various purposes after the main building was finished, were known as the 'Nieuwe wercken,' or new works. They were pulled down in the beginning of the seventeenth century, and replaced by the stone edifice, in the style of the Spanish Renaissance, which now goes by the name of the Nieuwerck, with its ten shapely arches supported by slender pillars, above whose sculptured capitals rise tiers of narrow windows and the steeply-pitched roof with gables of curiously carved stone. Ypres had ceased to be a great commercial city long before the Nieuwerck was built; but the Cloth Hall was a busy place during the thirteenth and fourteenth centuries, when Ypres shared with Bruges the responsibility of managing the Flemish branch of the Hanseatic League.