Nor did they.
But what was the result? The next morning, when Mary and Alice stood ready for the carriage, and it was high time they were gone, the carriage was not ready; the horses had got astray in the night. And while the black coachman was on one horse, which he had found and caught, and was scouring the neighboring fields and lanes and meadows in search of the other, there came out from townward upon the still, country air the long whistle of the departing train; and then the distant rattle and roar of its far southern journey began, and then its warning notes to the scattering colts and cattle.
“Look away!”—it seemed to sing—“Look away!”—the notes fading, failing, on the ear,—“away—away—away down south in Dixie,”—the last train that left for New Orleans until the war was over.
CHAPTER LVI.
FIRE AND SWORD.
The year the war began dates also, for New Orleans, the advent of two better things: street-cars and the fire-alarm telegraph. The frantic incoherence of the old alarum gave way to the few solemn, numbered strokes that called to duty in the face of hot danger, like the electric voice of a calm commander. The same new system also silenced, once for all, the old nine-o’clock gun. For there were not only taps to signify each new fire-district,—one for the first, two for the second, three, four, five, six seven, eight, and nine,—but there was also one lone toll at mid-day for the hungry mechanic, and nine at the evening hour when the tired workman called his children in from the street and turned to his couch, and the slave must show cause in a master’s handwriting why he or she was not under that master’s roof.
And then there was one signal more. Fire is a dreadful thing, and all the alarm signals were for fire except this one. Yet the profoundest wish of every good man and tender women in New Orleans, when this pleasing novelty of electro-magnetic warnings was first published for the common edification, was that mid-day or midnight, midsummer or midwinter, let come what might of danger or loss or distress, that one particular signal might not sound. Twelve taps. Anything but that.
Dr. Sevier and Richling had that wish together. They had many wishes that were greatly at variance the one’s from the other’s. The Doctor had struggled for the Union until the very smoke of war began to rise into the sky; but then he “went with the South.” He was the only one in New Orleans who knew—whatever some others may have suspected—that Richling’s heart was on the other side. Had Richling’s bodily strength remained, so that he could have been a possible factor, however small, in the strife, it is hard to say whether they could have been together day by day and night by night, as they came to be when the Doctor took the failing man into his own home, and have lived in amity, as they did. But there is this to be counted; they were both, though from different directions, for peace, and their gentle forbearance toward each other taught them a moderation of sentiment concerning the whole great issue. And, as I say, they both together held the one longing hope that, whatever war should bring of final gladness or lamentation, the steeples of New Orleans might never toll—twelve.