"'Mahch-ign thoo Im-madn-uedl's groudnd
Toe fahr-eh wordlds odn high.'"
Madame Hayle was in her stateroom and berth, deep in sleep under the weight of her toils and assured by the players that Ramsey should go to bed when they did. Basile, too, slept, but talked and tossed in his sleep, while old Joy, sent to him by Ramsey and the Gilmores, crouched outside his door and dozed with an ear against it. The Yazoo squire, his children, his sister, her husband, the Vicksburgers, and they of Milliken's Bend, purposing to be called up an hour before day to leave the boat at their proper landings, had "retired" early, saying fond good-bys and hoping to meet every one again. The ladies had astonished Ramsey with kisses, given, doubtless, she thought, because her father was a hero and her mother a saint. The squire's brother-in-law had assured her that her brothers, all three—as Southern boys always, or almost always, did—would come out all right—every way; but on being asked for details he had slipped away to give his De Bow to the commodore and his last good-by to Hugh.
The actor and his wife, however, were as broad awake as Watson. Loving the lone starry hours for the hours' own starry sake and having for Hugh and Ramsey a certain zeal unconfessed even to each other, they were yet in view from the pilot's wheel and visitors' bench at this hour of eleven, staying up as willingly as nightingales with the young husband and wife who had agreed with them that somebody's mental radius "certain'y had" lengthened as suddenly as her gown.
This young pair were expecting to go ashore within the next half-hour at "New Carthage," a city of seven houses, nearly opposite another of equal pride called Palmyra, and some four miles above the head of Hurricane Island, whose foot the Votaress was then passing. They and the Gilmores were still down at the forward edge of the texas roof, the players finding the Carthaginians very attractive: fluent on morals, cuisine, manners, steamboats, the turf, fashions, the chase; voluble on the burdensomeness of the slave to his master, the blessedness of the master to his slave; but sore to the touch on politics and religion—with their religion quite innocently adjusted to their politics—and promptly going hard aground on any allusion to history, travel, the poets, statistics, architecture, ornithology, art, music, myths, memoirs, Europe, Asia, Africa, homœopathy, or phrenology. It entertained the players just to see how many things the happy lovers knew nothing about and to hear them state in some new form, each time they backed off a sand-bar of their own ignorance, that they had seen the world, sucked the orange, yet found no spot of earth so perfect to live in as New Carthage.
The briefest sittings at such entertainment had been enough for Hugh, too much for Ramsey, and had driven them back, twice and thrice, to that fairer world on high in the pilot-house, where they could study the river undistracted. There and thence, now together, now apart, they had gone and come all through Watson's watch, moved by Hugh's duties or her caprice. Their each new meeting had been by accident, but it is odd how often accidents can occur—"at that stage o' the game," thought the kind pilot, and on each recurrence he noticed that they had got a bit farther on in the story of Phyllis.
"How long is this island, Mr. Watson?" inquired Ramsey, as if islands were all she was sitting up for.
"Two mile' 'n' a half. D'd you ask me that before? I don't hear much behind me if it ain't hove right at me." Stalest device of the sentimentalist—the self-sacrificing lie! But Watson cared not for its staleness if it might promote the game. And the game, though as wanderingly as the river, went on. Without strict order of time, now on the bench, now on the roof, early and late, here is how it went:
"You're not afraid of my brothers, are you? I'm not."
"I'm afraid for them. And for my father and grandfather. And for your father and your mother."