LIII.
SWEETNESS AND LIGHT
Yet the pulse of the man behind him, who did not recognize him, began to quicken with anger. Almost at the flute's first note the image on the window-shade started and hearkened. A moment later it expanded to grotesque proportions, the room swiftly grew dark, and in another minute the window of a smaller one behind it shone dimly as with the flame of a lamp turned low. The flutist fluted on. From the melody it appeared that the musician had at some date not indicated, and under some unaccountable influence, dreamt that he dwelt in marble halls with vassals and serfs at his side. The man at his back had come as near as the darkness would cover him, but there had stopped.
Presently the music ceased, but another sound, sweeter than all music, kissed, as it were, the serenader's ear. It was the wary lifting of a window-sash. He ran forward into the narrow shade of the house itself, and lost to the restraints of reason, carried away on transports of love, without hope of any reply, whispered, "Daphne!"
And a tender whisper came back—"Wait a minute."
"You'll come down?" he whisperously asked; but the window closed on his words, the dim light vanished, and all was still.
He was watching, on his left, the batten shutters of the sitting-room, when a small, unnoticed door near the dark, rear corner of the house clicked and then faintly creaked. Mr. Pettigrew became one tremolo of ecstasy. He glided to the spot, not imagining even then that he was to be granted more than a moment's interview through an inch or two of opening, when what was his joy to see the door swiftly spread wide inward by a dim figure that extended her arms in gracious invitation.
"O love!" was all his passion could murmur as they clasped in the blessed dark, while she, not waiting to hear word or voice, rubbed half the rice powder and rouge from her lips and cheeks to his and cried,
"O you sweet, speckle', yalleh niggeh liah, you tol' me you on'y play de fife in de similitude o' ligislation!"