"Good gracious alive!" exclaimed the quail, leaping from his back to his feet, and standing a fathom tall before the gasping, half-sinking girl. "Good gra'—why—why, my good gracious, Miss Barb! why—why, my good gracious!" insisted John March.
LXXIII.
IMMEDIATELY AFTER CHAPEL
There was a great deal of pleasure in the house of the three sisters that evening. The widow asked March to stay to tea, and when he opened his mouth to decline, the wrong word fell out and he accepted. He confided to Barbara his fear that in so doing he had blundered, but she softly scouted the idea, and with a delicious reproachfulness in her murmur, "wondered if he supposed they"—etc.
At table he sat next to her, in the seat the sisters had intended for Henry Fair. Neither Miss Garnet nor Mr. March gave the other's proximity more than its due recognition; they talked with almost everyone about almost everything, and as far as they knew said and did nothing to betray the fact that they were as happy as Psyche in a swing with Cupid to push and run under.
Nobody went to evening service. They sang hymns at the piano, selecting oftenest those which made best display of Miss Garnet's and Mr. March's voices. Hers was only mezzo-soprano and not brilliant, but Mr. March and a very short college girl, conversing for a moment aside, agreed that it was "singularly winsome." Another college girl, very tall, whispered to Barbara that his was a "superb barrytone!" The young man entered deeper and deeper every moment into the esteem of the household, and they into his. The very best of the evening came last, when, at the widow's request, the two Southerners sang, without the instrument, a hymn or two of the Dixie mountaineers: "To play on the golden harp" and "Where there's no more stormy clouds arising." Being further urged for a negro hymn, John began "Bow low a little bit longer," which Barbara, with a thrill of recollection and an involuntary gesture of pain, said she couldn't sing, and they gave another instead, one of the best, and presently had the whole company joining in the clarion refrain of "O Canaan! bright Canaan!" Barbara heard her college mates still singing it in their rooms on either side of her after she had said her prayers with her cheek on John March's photograph.
To her painful surprise when she awoke next day she found herself in a downcast mood. She could not even account for the blissful frame in which she had gone to bed. She had not forgotten one word or tone of all John March had said to her while carried away from his fine resolution by the wave of ecstasy which followed their unexpected meeting, but the sunset light, their thrilling significances, were totally gone from them. Across each utterance some qualifying word or clause, quite overlooked till now, cast its morning shadow. Not so much as one fond ejaculation of his impulsive lips last evening but she could explain away this morning, and she felt a dull, half-guilty distress in the fear that her blissful silences had embarrassed him into letting several things imply more than he intended. Before she was quite dressed one of her fellow-students came in with an anguished face to show what a fatal error she had made in the purchase of some ribbons.
Barbara held them first in one light and then in another, and at length shook her head over them in piteous despair and asked:
"How could you so utterly mistake both color and quality?"