It was one of those southern nights under whose spell all the sterner energies of the mind cloak themselves and lie down in bivouac, and the fancy and the imagination, that cannot sleep, slip their fetters and escape, beckoned away from behind every flowering bush and sweet-smelling tree, and every stretch of lonely, half-lighted walk, by the genius of poetry. The air stirred softly now and then, and was still again, as if the breezes lifted their expectant pinions and lowered them once more, awaiting the rising of the moon in a silence which fell upon the fields, the roads, the gardens, the walls, and the suburban and half-suburban streets, like a pause in worship. And anon she rose.
Monsieur Vignevielle's steps were bent toward the more central part of the town, and he was presently passing along a high, close, board-fence, on the right-hand side of the way, when, just within this inclosure, and almost overhead, in the dark boughs of a large orange-tree, a mocking-bird began the first low flute-notes of his all-night song. It may have been only the nearness of the songster that attracted the passer's attention, but he paused and looked up.
And then he remarked something more,—that the air where he had stopped was filled with the overpowering sweetness of the night-jasmine. He looked around; it could only be inside the fence. There was a gate just there. Would he push it, as his wont was? The grass was growing about it in a thick turf, as though the entrance had not been used for years. An iron staple clasped the cross-bar, and was driven deep into the gate-post. But now an eye that had been in the blacksmithing business—an eye which had later received high training as an eye for fastenings—fell upon that staple, and saw at a glance that the wood had shrunk from it, and it had sprung from its hold, though without falling out. The strange habit asserted itself; he laid his large hand upon the cross-bar; the turf at the base yielded, and the tall gate was drawn partly open.
At that moment, as at the moment whenever he drew or pushed a door or gate, or looked in at a window, he was thinking of one, the image of whose face and form had never left his inner vision since the day it had met him in his life's path and turned him face about from the way of destruction.
The bird ceased. The cause of the interruption, standing within the opening, saw before him, much obscured by its own numerous shadows, a broad, ill-kept, many-flowered garden, among whose untrimmed rose-trees and tangled vines, and often, also, in its old walks of pounded shell, the coco-grass and crab-grass had spread riotously, and sturdy weeds stood up in bloom. He stepped in and drew the gate to after him. There, very near by, was the clump of jasmine, whose ravishing odor had tempted him. It stood just beyond a brightly moonlit path, which turned from him in a curve toward the residence, a little distance to the right, and escaped the view at a point where it seemed more than likely a door of the house might open upon it. While he still looked, there fell upon his ear, from around that curve, a light footstep on the broken shells,—one only, and then all was for a moment still again. Had he mistaken? No. The same soft click was repeated nearer by, a pale glimpse of robes came through the tangle, and then, plainly to view, appeared an outline—a presence—a form—a spirit—a girl!
From throat to instep she was as white as Cynthia. Something above the medium height, slender, lithe, her abundant hair rolling in dark, rich waves back from her brows and down from her crown, and falling in two heavy plaits beyond her round, broadly girt waist and full to her knees, a few escaping locks eddying lightly on her graceful neck and her temples,—her arms, half hid in a snowy mist of sleeve, let down to guide her spotless skirts free from the dewy touch of the grass,—straight down the path she came!
Will she stop? Will she turn aside? Will she espy the dark form in the deep shade of the orange, and, with one piercing scream, wheel and vanish? She draws near. She approaches the jasmine; she raises her arms, the sleeves falling like a vapor down to the shoulders; rises upon tiptoe, and plucks a spray. O Memory! Can it be? Can it be? Is this his quest, or is it lunacy? The ground seems to M. Vignevielle the unsteady sea, and he to stand once more on a deck. And she? As she is now, if she but turn toward the orange, the whole glory of the moon will shine upon her face. His heart stands still; he is waiting for her to do that. She reaches up again; this time a bunch for her mother. That neck and throat! Now she fastens a spray in her hair. The mocking-bird cannot withhold; he breaks into song—she turns—she turns her face—it is she, it is she! Madame Delphine's daughter is the girl he met on the ship.