Having been informed by a musty old sepulchral monk that the remains of Pizarro might be seen behind this grating, Our Artist tremblingly gazes therein—but as it is pitch dark, he doesn't recognize Pizarro.
A COUP D'ŒIL IN LIMA.
A picturesque view of the great stone bridge over the rapid river Rimac, showing the towers of the church Desamparados, the Arch with illuminated clock, and the spire of Santo Domingo.—Sketched with about ninety-seven Peruvian beggars looking over Our Artist's shoulder.
LAST DAY AT LIMA.
A visit to the Museum—which contains a not very remarkable collection of Peruvian antiquities—and where Our Artist sees all that remains of the once magnificent Atahualpa, last king of the Incas.