Louvain


Louvain

It was in the great Gothic Church of St. Peter that Mathias Van den Gheyn delighted to execute those wonderful "morceaux fugues" now at once the delight and the despair of the musical world, upon the fine chime of bells in the tower. This venerable tower was entirely destroyed in the terrible bombardment of the town in 1914. It is probable that no town in Belgium was more frequented by learned men of all professions, since its university enjoyed such a high reputation the world over, and certainly its library, likewise entirely destroyed, with its precious tomes and manuscripts, was considered second to none.

The old Church of St. Peter, opposite the matchless Hôtel de Ville, was a cruciform structure of noble proportions and flanked with remarkable chapels; it was begun, according to the archives in Brussels, in 1423, to replace an earlier building of the tenth century, and was "finished" in the sixteenth century. There was, it seems, originally a wooden spire on the west side of the structure but "it was blown down in a storm in 1606."

When I saw it in 1910, the church was in process of restoration, and the work was being very intelligently done by competent men. Before the façade was a most curious row of bizarre small houses of stucco, nearly every one of which was a sort of saloon or café, and the street before them was quite obstructed by small round tables and chairs at which, in the afternoon from four to five, the shopkeepers and bourgeois of the town gathered for the afternoon "aperitif," whatever it might be, and to discuss politics. For be it known that this period before the outbreak of the war, was in Belgium a troublous one for the Flemings, because of the continued friction between the clerical and the anti-clerical parties. These bizarre houses, I was told by one of the priests with whom I talked, were owned by the church, and were very profitable holdings, but tourists and others had made such sport of them, and even entered such grave protests to the Bishop, that the authorities finally concluded to tear them down. But they were certainly very picturesque, as my picture shows, their red tiled roofs and green blinds, making most agreeable notes of color against old St. Peter's gray wall.